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Kandungan disediakan oleh Zentrum Paul Klee. Semua kandungan podcast termasuk episod, grafik dan perihalan podcast dimuat naik dan disediakan terus oleh Zentrum Paul Klee atau rakan kongsi platform podcast mereka. Jika anda percaya seseorang menggunakan karya berhak cipta anda tanpa kebenaran anda, anda boleh mengikuti proses yang digariskan di sini https://ms.player.fm/legal.
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Paul Klee - The creator, 1934

2:58
 
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Kandungan disediakan oleh Zentrum Paul Klee. Semua kandungan podcast termasuk episod, grafik dan perihalan podcast dimuat naik dan disediakan terus oleh Zentrum Paul Klee atau rakan kongsi platform podcast mereka. Jika anda percaya seseorang menggunakan karya berhak cipta anda tanpa kebenaran anda, anda boleh mengikuti proses yang digariskan di sini https://ms.player.fm/legal.
Paul Klee entered the painting "The creator", in his oeuvre catalogue in 1934 under number 213. Next to the entry, he wrote: "not touched for several years". Klee frequently left paintings sitting in his studio for long periods, only to pull them out at the right time, rework them, or paint them over. He probably began this painting in his Dessau Bauhaus period and did not work on it again until he had left Germany for good to live in Switzerland.
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36 episod

Artwork
iconKongsi
 

Fetch error

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Manage episode 156770765 series 1200053
Kandungan disediakan oleh Zentrum Paul Klee. Semua kandungan podcast termasuk episod, grafik dan perihalan podcast dimuat naik dan disediakan terus oleh Zentrum Paul Klee atau rakan kongsi platform podcast mereka. Jika anda percaya seseorang menggunakan karya berhak cipta anda tanpa kebenaran anda, anda boleh mengikuti proses yang digariskan di sini https://ms.player.fm/legal.
Paul Klee entered the painting "The creator", in his oeuvre catalogue in 1934 under number 213. Next to the entry, he wrote: "not touched for several years". Klee frequently left paintings sitting in his studio for long periods, only to pull them out at the right time, rework them, or paint them over. He probably began this painting in his Dessau Bauhaus period and did not work on it again until he had left Germany for good to live in Switzerland.
  continue reading

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