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Kandungan disediakan oleh Zentrum Paul Klee. Semua kandungan podcast termasuk episod, grafik dan perihalan podcast dimuat naik dan disediakan terus oleh Zentrum Paul Klee atau rakan kongsi platform podcast mereka. Jika anda percaya seseorang menggunakan karya berhak cipta anda tanpa kebenaran anda, anda boleh mengikuti proses yang digariskan di sini https://ms.player.fm/legal.
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Paul Klee - Hovering, 1930

2:40
 
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Kandungan disediakan oleh Zentrum Paul Klee. Semua kandungan podcast termasuk episod, grafik dan perihalan podcast dimuat naik dan disediakan terus oleh Zentrum Paul Klee atau rakan kongsi platform podcast mereka. Jika anda percaya seseorang menggunakan karya berhak cipta anda tanpa kebenaran anda, anda boleh mengikuti proses yang digariskan di sini https://ms.player.fm/legal.
Klee explored the subject of weightlessness in paintings with a three-dimensional construction that appear to drift in space. They are based on precise constructive principles, yet are frequently irrational in their spatial logic. In »Schwebendes«, 1930, [Hovering], the corners of the overlapping four-sided figures are only partly »rational«, that is, linked by two corresponding corners. Other links are »irrational«, or randomly created. This gives an impression of a three-dimensional structure with a disturbing perspective. Its surfaces appear to belong to different spatial levels, and to change in the perception of the observer.
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36 episod

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Manage episode 156770784 series 1200053
Kandungan disediakan oleh Zentrum Paul Klee. Semua kandungan podcast termasuk episod, grafik dan perihalan podcast dimuat naik dan disediakan terus oleh Zentrum Paul Klee atau rakan kongsi platform podcast mereka. Jika anda percaya seseorang menggunakan karya berhak cipta anda tanpa kebenaran anda, anda boleh mengikuti proses yang digariskan di sini https://ms.player.fm/legal.
Klee explored the subject of weightlessness in paintings with a three-dimensional construction that appear to drift in space. They are based on precise constructive principles, yet are frequently irrational in their spatial logic. In »Schwebendes«, 1930, [Hovering], the corners of the overlapping four-sided figures are only partly »rational«, that is, linked by two corresponding corners. Other links are »irrational«, or randomly created. This gives an impression of a three-dimensional structure with a disturbing perspective. Its surfaces appear to belong to different spatial levels, and to change in the perception of the observer.
  continue reading

36 episod

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