Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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Wild City #200: Discostan
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Manage episode 278200065 series 1413480
Kandungan disediakan oleh Wild City. Semua kandungan podcast termasuk episod, grafik dan perihalan podcast dimuat naik dan disediakan terus oleh Wild City atau rakan kongsi platform podcast mereka. Jika anda percaya seseorang menggunakan karya berhak cipta anda tanpa kebenaran anda, anda boleh mengikuti proses yang digariskan di sini https://ms.player.fm/legal.
As we reached the milestone of hosting our 200th mix, few artists felt as befitting as Discostan. The outfit started as a personal endeavour of Hyderabad-born and Los Angeles-based Arshia Haq, who was inspired by her own decentralised idea of a “homeland” as a modern-day immigrant in a globalised world, to carve a unique space on the dancefloor for a consolidated decolonised musical identity of South Asian, West Asia and North Africa uniting it with all its shared sense of heritage, trauma, struggle and achievement. Transforming soon into a collective and later also into a label, with Jeremy Loudenback joining Haq at the helm, Discostan turned into a space for community-building among the brown diaspora and a go-to for radio shows and platforms to highlight and discover the canon of disco often overlooked by western lenses. Imagining the “past, present, and future soundtracks from Beirut to Bangkok via Bombay” the collective and label offers a counter approach to the colonial-mindset curation that birthed blanket categories like “world music”. Haq and Loudenback don’t dig deep in vinyl crates but cultures, having a dialogue with local voices of the regions they find their records (and sometimes even field records) from, to evoke sounds from collective memory. Curating with the same approach for Wild City’s 200th mix, the pair embraces the past disco sounds from Asia and Africa, with works from the likes of Nermin Niazi and Sohail Rana, and highlight its musical bloodline as it flows through forward-thinking present-day artists like Ammar 808 and Deena Abdelwahed. Most importantly, Discostan doesn’t focus on educating you but simply celebrating the music they resonate with personally and inviting you to join the celebration. For tracklist and more information: https://www.thewildcity.com/mixes/18134-wild-city-200-discostan
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continue reading
251 episod
MP3•Laman utama episod
Manage episode 278200065 series 1413480
Kandungan disediakan oleh Wild City. Semua kandungan podcast termasuk episod, grafik dan perihalan podcast dimuat naik dan disediakan terus oleh Wild City atau rakan kongsi platform podcast mereka. Jika anda percaya seseorang menggunakan karya berhak cipta anda tanpa kebenaran anda, anda boleh mengikuti proses yang digariskan di sini https://ms.player.fm/legal.
As we reached the milestone of hosting our 200th mix, few artists felt as befitting as Discostan. The outfit started as a personal endeavour of Hyderabad-born and Los Angeles-based Arshia Haq, who was inspired by her own decentralised idea of a “homeland” as a modern-day immigrant in a globalised world, to carve a unique space on the dancefloor for a consolidated decolonised musical identity of South Asian, West Asia and North Africa uniting it with all its shared sense of heritage, trauma, struggle and achievement. Transforming soon into a collective and later also into a label, with Jeremy Loudenback joining Haq at the helm, Discostan turned into a space for community-building among the brown diaspora and a go-to for radio shows and platforms to highlight and discover the canon of disco often overlooked by western lenses. Imagining the “past, present, and future soundtracks from Beirut to Bangkok via Bombay” the collective and label offers a counter approach to the colonial-mindset curation that birthed blanket categories like “world music”. Haq and Loudenback don’t dig deep in vinyl crates but cultures, having a dialogue with local voices of the regions they find their records (and sometimes even field records) from, to evoke sounds from collective memory. Curating with the same approach for Wild City’s 200th mix, the pair embraces the past disco sounds from Asia and Africa, with works from the likes of Nermin Niazi and Sohail Rana, and highlight its musical bloodline as it flows through forward-thinking present-day artists like Ammar 808 and Deena Abdelwahed. Most importantly, Discostan doesn’t focus on educating you but simply celebrating the music they resonate with personally and inviting you to join the celebration. For tracklist and more information: https://www.thewildcity.com/mixes/18134-wild-city-200-discostan
…
continue reading
251 episod
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