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The Cobra, The Fuse and The Woman at the End of The World (with Kiko Dinucci)

45:01
 
Kongsi
 

Manage episode 321111934 series 2827616
Kandungan disediakan oleh Fil Corbitt and The Wind. Semua kandungan podcast termasuk episod, grafik dan perihalan podcast dimuat naik dan disediakan terus oleh Fil Corbitt and The Wind atau rakan kongsi platform podcast mereka. Jika anda percaya seseorang menggunakan karya berhak cipta anda tanpa kebenaran anda, anda boleh mengikuti proses yang digariskan di sini https://ms.player.fm/legal.

Kiko Dinucci: “It's been about 10 years since I've realized that in my music, in all my works and projects, such as Metá Metá, I have been working with something beautiful and something ugly; something violent and something lyrical. And I think Brazil is like that. It is a tropical country with wonderful nature, but it has its past and history marked by death, exploitation, and so on and so on… So we live with many amazing things, especially when we think about our culture and nature; but there's a lot of bad stuff too. Thus, we still have a lot of marks from our colonial period, from slavery, from military dictatorship… so I got used to writing songs in this way: bringing together beautiful and ugly things; lyrical and violent things. I like that mix and I like artists who play with it.”

To support The Wind, become a patron at www.patreon.com/thewind

Subscribe at thewind.org

  continue reading

44 episod

Artwork
iconKongsi
 
Manage episode 321111934 series 2827616
Kandungan disediakan oleh Fil Corbitt and The Wind. Semua kandungan podcast termasuk episod, grafik dan perihalan podcast dimuat naik dan disediakan terus oleh Fil Corbitt and The Wind atau rakan kongsi platform podcast mereka. Jika anda percaya seseorang menggunakan karya berhak cipta anda tanpa kebenaran anda, anda boleh mengikuti proses yang digariskan di sini https://ms.player.fm/legal.

Kiko Dinucci: “It's been about 10 years since I've realized that in my music, in all my works and projects, such as Metá Metá, I have been working with something beautiful and something ugly; something violent and something lyrical. And I think Brazil is like that. It is a tropical country with wonderful nature, but it has its past and history marked by death, exploitation, and so on and so on… So we live with many amazing things, especially when we think about our culture and nature; but there's a lot of bad stuff too. Thus, we still have a lot of marks from our colonial period, from slavery, from military dictatorship… so I got used to writing songs in this way: bringing together beautiful and ugly things; lyrical and violent things. I like that mix and I like artists who play with it.”

To support The Wind, become a patron at www.patreon.com/thewind

Subscribe at thewind.org

  continue reading

44 episod

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