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Nathalie Joachim on the Connection Between Brahms and Haiti

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Manage episode 405777122 series 2541202
Kandungan disediakan oleh WQXR & WNYC Studios, WQXR, and WNYC Studios. Semua kandungan podcast termasuk episod, grafik dan perihalan podcast dimuat naik dan disediakan terus oleh WQXR & WNYC Studios, WQXR, and WNYC Studios atau rakan kongsi platform podcast mereka. Jika anda percaya seseorang menggunakan karya berhak cipta anda tanpa kebenaran anda, anda boleh mengikuti proses yang digariskan di sini https://ms.player.fm/legal.

Nathalie Joachim is a Grammy-nominated flutist, vocalist and composer. She is the co-founder of the acclaimed flute-meets-electronica duo Flutronix, as well as the composer of the evening-length work “Fanm d’Ayiti,” which explores her heritage and, more broadly, women’s voices in Haiti. Her recently-released album “Ki moun ou ye” (“Which person are you?”) continues the musically-grounded investigation into identity.

In this episode, Joachim recalls a formative experience with the music of Brahms, connecting her attraction to his music with the rhythmically inventive music of her family’s native Haiti.

The performance of Brahms Symphony No. 3 used in this episode features the New York Philharmonic under the baton of Alan Gilbert. Recording provided courtesy of the New York Philharmonic.

  continue reading

52 episod

Artwork
iconKongsi
 
Manage episode 405777122 series 2541202
Kandungan disediakan oleh WQXR & WNYC Studios, WQXR, and WNYC Studios. Semua kandungan podcast termasuk episod, grafik dan perihalan podcast dimuat naik dan disediakan terus oleh WQXR & WNYC Studios, WQXR, and WNYC Studios atau rakan kongsi platform podcast mereka. Jika anda percaya seseorang menggunakan karya berhak cipta anda tanpa kebenaran anda, anda boleh mengikuti proses yang digariskan di sini https://ms.player.fm/legal.

Nathalie Joachim is a Grammy-nominated flutist, vocalist and composer. She is the co-founder of the acclaimed flute-meets-electronica duo Flutronix, as well as the composer of the evening-length work “Fanm d’Ayiti,” which explores her heritage and, more broadly, women’s voices in Haiti. Her recently-released album “Ki moun ou ye” (“Which person are you?”) continues the musically-grounded investigation into identity.

In this episode, Joachim recalls a formative experience with the music of Brahms, connecting her attraction to his music with the rhythmically inventive music of her family’s native Haiti.

The performance of Brahms Symphony No. 3 used in this episode features the New York Philharmonic under the baton of Alan Gilbert. Recording provided courtesy of the New York Philharmonic.

  continue reading

52 episod

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