Playing with Shakespeare: A Conversation with Charles Moseley

The History Of European Theatre

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Understanding the Elegant Math Behind Modern Machine Learning 1:14:43

9 days ago1:14:43

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Artificial intelligence is evolving at an unprecedented pace—what does that mean for the future of technology, venture capital, business, and even our understanding of ourselves? Award-winning journalist and writer Anil Ananthaswamy joins us for our latest episode to discuss his latest book Why Machines Learn: The Elegant Math Behind Modern AI . Anil helps us explore the journey and many breakthroughs that have propelled machine learning from simple perceptrons to the sophisticated algorithms shaping today’s AI revolution, powering GPT and other models. The discussion aims to demystify some of the underlying mathematical concepts that power modern machine learning, to help everyone grasp this technology impacting our lives–even if your last math class was in high school. Anil walks us through the power of scaling laws, the shift from training to inference optimization, and the debate among AI’s pioneers about the road to AGI—should we be concerned, or are we still missing key pieces of the puzzle? The conversation also delves into AI’s philosophical implications—could understanding how machines learn help us better understand ourselves? And what challenges remain before AI systems can truly operate with agency? If you enjoy this episode, please subscribe and leave us a review on your favorite podcast platform. Sign up for our newsletter at techsurgepodcast.com for exclusive insights and updates on upcoming TechSurge Live Summits. Links: Read Why Machines Learn, Anil’s latest book on the math behind AI https://www.amazon.com/Why-Machines-Learn-Elegant-Behind/dp/0593185749 Learn more about Anil Ananthaswamy’s work and writing https://anilananthaswamy.com/ Watch Anil Ananthaswamy’s TED Talk on AI and intelligence https://www.ted.com/speakers/anil_ananthaswamy Discover the MIT Knight Science Journalism Fellowship that shaped Anil’s AI research https://ksj.mit.edu/ Understand the Perceptron, the foundation of neural networks https://en.wikipedia.org/wiki/Perceptron Read about the Perceptron Convergence Theorem and its significance https://www.nature.com/articles/323533a0…

about a year ago 56:13

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Episode 153

Today’s guest episode serves as a great precursor to what is to come. The discussion that you are about to hear with Charles Mosely focusses on Shakespeare as a man of the theatre and discusses how the plays were created for and affected by the Theatre, the Audience and the conventions of the time. And that brief description does not do this wide ranging and detailed discussion any sort of justice. I think all of the thoughts that Charles discusses are well worth holding I mind as we work through the plays of Shakespeare and Jonson over the coming months.

Charles Moseley is a difficult man to summarise in a few words. He is a historian, literary critic and travel writer, but that only touches on part of his extensive output and experience. Most relevant for our purposes today are his years as College Lecturer in English

at Magdalene College, Cambridge, then Director of Studies in English (and later Fellow) of Wolfson College, and finally Senior Tutor and Director of Studies in English at Hughes Hall, Cambridge. The depth of knowledge and enthusiasm that Charles holds for his subject is, I think, quite self-evident and I am sure you will enjoy every moment of this, just as I did.

To see more about Charles, his publications, and other writings, including a fuller biography you can go to www.charlesmoseley.com

Support the podcast at:

www.thehistoryofeuropeantheatre.com

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198 episod

#Theater #Arts #History #Philip Rowe #Podcasting Education #Theatre #Theatre History #Shakespeare #Greek Theatre #Roman Theatre #Renaissance Theatre

The History Of European Theatre

Playing with Shakespeare: A Conversation with Charles Moseley

The History Of European Theatre

17 subscribers

published about a year ago

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MP3•Laman utama episod

Episode 153

To see more about Charles, his publications, and other writings, including a fuller biography you can go to www.charlesmoseley.com

Support the podcast at:

www.thehistoryofeuropeantheatre.com

www.patreon.com/thoetp

www.ko-fi.com/thoetp

Hosted on Acast. See acast.com/privacy for more information.

198 episod

#Theater #Arts #History #Philip Rowe #Podcasting Education #Theatre #Theatre History #Shakespeare #Greek Theatre #Roman Theatre #Renaissance Theatre

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The History Of European Theatre

1
Richard II: ‘Sad Stories of the Death of Kings’ 35:52

5 days ago35:52

35:52

Episode 158 Picking up the journey through Shakespeare's plays with 'Richard II' A brief summary of the play The early performance history of the play The early print history of the play The variations in the quarto editions concerning the deposition scene The sources for the play The role of the play in the Essex rebellion The historical accuracy of the play The dramatic arcs travelled by Richard and Bolingbroke The political represented in the personal through the female roles The significant role of minor characters How verse is used in the play to distinguish the noble characters The question of the divine right of kings and how it affects Richard’s character The end of the play, Bolingbroke’s regrets, and how we might feel about them The later performance history of the play Support the podcast at: www.thehistoryofeuropeantheatre.com www.patreon.com/thoetp www.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.…

The History Of European Theatre

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Woke Shakespeare: A Conversation with Ian McCormick 38:22

12 days ago38:22

38:22

In the fifth part of this short series of guest episodes before we get back to continuing the journey through the Shakespeare and Jonson cannon I had the chance to speak with Dr Ian McCormick about the collection of essays he edited, which pulls together recent Shakespeare criticism in the framework of woke and anti-woke culture and the culture wars of recent years. It is a wide ranging and thought provoking collection. Ian McCormick, was a Professor in the Department of English for the School of Cultural Studies at the University of Northampton, where he taught Shakespeare, Renaissance Literature, 18th-century Literature, and Literary Theory. He has edited and contributed to books in various fields including sexuality and gender studies; modern and postmodern literature; teaching and learning strategies; drama education and critical theory. He has contributed to many academic publications, written a novel inspired by 18th century epistolatory novels and in the past he has organized two major international conferences for the British Society for Eighteenth-century Studies, at St John's College (University of Oxford). For the full details of Ian's biography please see the guest page on the podcast website. Links to 'Woke Shakespeare': Amazon UK: https://www.amazon.co.uk/Woke-Shakespeare-Rethinking-New-Era/dp/B0DQYB2TS5/ref=sr_1_1? Amazon US: https://www.amazon.com/Woke-Shakespeare-Rethinking-New-Era/dp/B0DQYB2TS5/ref=sr_1_1? If you are interested in being considered to make a contribution to the next volume ‘Shakespeare: New Voices’, you have until the 30th June 2025 to make an application via the Penn State University call for papers page, where some details of the requirements are explained https://call-for-papers.sas.upenn.edu/cfp/2023/05/18/shakespeare-new-voices Support the podcast at: www.thehistoryofeuropeantheatre.com www.patreon.com/thoetp www.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.…

The History Of European Theatre

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Trackers of Oxyrhincus: A Reprised Conversation with Jimmy Walters 40:01

19 days ago40:01

40:01

In the fourth part of this short series of guest episodes before we get back to continuing the journey through the Shakespeare and Jonson cannon today’s episode is a repeat of episode 32 of the podcast, first released in late 2020. Having just produced an episode on satyr play on the main podcast and another on the papyologists who rediscovered the play Trackers for the fledgling Patreon account I was very pleased to be able to talk to theatre director Jimmy Walters who have produced a revival of the play The Trackers of Oxyrhincus by Tony Harrison. To hear from first-hand experience what it was like to produce a modern adaptation of a Greek play, especially something as rare as the satyr play was a real treat. It is, I think, worthy of another listen if you heard it at the time, or a first listen if you have only joined us for the later theatrical periods. Jimmy Walters has been a professional actor and then director for almost twenty years. In his directing career he has presented work at most of London’s most prestigious off-west end venues, including the Finborough Theatre, Southwark Playhouse and the Jermyn Street Theatre and at other venues around the UK. Since 2022 he has been Education Practitioner for Shakespeare’s Globe leading Shakespeare workshops onsite for children of all ages. Support the podcast at: www.thehistoryofeuropeantheatre.com www.patreon.com/thoetp www.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.…

The History Of European Theatre

1
Boy Actors: A Conversation with Roberta Barker 40:55

26 days ago40:55

40:55

In the third part of this series of guest episodes before we get back to continuing the journey through the Shakespeare and Jonson cannon, we are going deep into the world of the renaissance period boy actors, or perhaps, as they should more properly be called, apprentice players. The habit of the period of young actors playing female roles is well known, but when I had the chance to talk to Roberta Barker about her study of apprentice players it soon became very clear that there is a lot more to their position in the playing company than that and we get to meet some of them as personalities in their own right. Roberta Barker is a member of the Joint Faculty of King’s College, London, where she is Professor of Theatre teaching in the Foundation Year and Early Modern Studies programs, and Dalhousie University, Halifax Nova Scotia, where she teaches Theatre in the Fountain School of Performing Arts. Her research interests centre upon the relationship between performance and the social construction of identity and has explored such topics as the representation of gender and class in early modern tragedy, the early modern careers and modern afterlives of Shakespeare’s boy players, and (most recently) the role played by the performance of illness on the nineteenth-century stage in the evolution of realist style. She is also a theatre and opera director. Support the podcast at: www.thehistoryofeuropeantheatre.com www.patreon.com/thoetp www.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.…

The History Of European Theatre

1
The Development of Roman Theatre: A Reprised Conversation with Dr Elodie Palliard 41:25

5 weeks ago41:25

41:25

Episode 154 As you know form last week’s episode I’m running a short series of guest episodes before we get back to continuing the journey through the Shakespeare and Jonson cannon. Today’s episode is a repeat of episode 30 of the podcast, first released in late 2020. At the time I was discussing the early theatre of Rome and with the Ancient Greek theatre already under my belt I had started to reach out to academics and authors who could add depth and colour to the research that I had been able to do. This episode with Dr Elodie Palliard was, I thought, particularly helpful in describing the likely developments in theatre in the murky period between the end of recorded Athenian theatre and early Roman theatre. It is, I think, worthy of another listen if you heard it at the time, or a first listen if you have only joined us for the later theatrical periods. Dr Elodie Paillard is currently an Honorary Associate in the Department of Classics and Ancient History at the University of Sydney, and a Partner Investigator in the Australian Research Council discovery project 'Theatre and Autocracy in Ancient Greece'. She is also a Project Leader at the University of Basel, financed by the Swiss National Science Foundation. After completing a PhD thesis on the staging of socio-political groups in Sophocles, and a postdoc on Greek theatre in Early Imperial Rome and Campania, Elodie is now working on Greek theatre in Republican Italy (500-27BC). She is also a member of the editorial board of the journal Mediterranean Archaeology . Support the podcast at: www.thehistoryofeuropeantheatre.com www.patreon.com/thoetp www.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.…

The History Of European Theatre

1
Playing with Shakespeare: A Conversation with Charles Moseley 56:13

6 weeks ago56:13

56:13

Episode 153 Today’s guest episode serves as a great precursor to what is to come. The discussion that you are about to hear with Charles Mosely focusses on Shakespeare as a man of the theatre and discusses how the plays were created for and affected by the Theatre, the Audience and the conventions of the time. And that brief description does not do this wide ranging and detailed discussion any sort of justice. I think all of the thoughts that Charles discusses are well worth holding I mind as we work through the plays of Shakespeare and Jonson over the coming months. Charles Moseley is a difficult man to summarise in a few words. He is a historian, literary critic and travel writer, but that only touches on part of his extensive output and experience. Most relevant for our purposes today are his years as College Lecturer in English at Magdalene College, Cambridge, then Director of Studies in English (and later Fellow) of Wolfson College, and finally Senior Tutor and Director of Studies in English at Hughes Hall, Cambridge. The depth of knowledge and enthusiasm that Charles holds for his subject is, I think, quite self-evident and I am sure you will enjoy every moment of this, just as I did. To see more about Charles, his publications, and other writings, including a fuller biography you can go to www.charlesmoseley.com Support the podcast at: www.thehistoryofeuropeantheatre.com www.patreon.com/thoetp www.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.…

The History Of European Theatre

1
A Midsummer Night’s Dream: A Conversation With Rachel Aanstad 35:23

7 weeks ago35:23

35:23

Episode 152 Following on from my thoughts on A Midsummer Night’s Dream last time I’m very pleased to welcome back Rachel Aanstad to the podcast for further thoughts on the play. You may remember from our previous conversation about Twelfth Night that Rachel has devoted a lifetime to both the study and presentation of Shakespeare plays and as with Twelfth Night she has written an Illustrated Handbook and Encyclopaedia on ‘A Midsummer Night’s Dream’. This includes a complete rendition of the play along with a detailed glossary of terms, scene by scene analysis, an examination of characters and themes and practical advice for anyone directing, acting in or producing the play. I found it invaluable in helping me to solidify my thoughts about the play and highly recommend it, whatever your interest in the play. Rachel Aanstad is a writer, artist, historian and self-confessed Shakespeare nerd. She has an MFA in theatre and is the former Artistic Director of Rose City Shakespeare Company. She lives in the pacific Northwest from where she writes books about Shakespeare’s plays. For our purposes today she is supremely well qualified to discuss ‘A Midsummer Night’s Dream’ as, apart from her lifelong love of the play and her academic study, she has directed three productions of the play, one that was circus based, one that was burlesque based and one audio production. Links to ‘A Midsummer Night’s Dream: An Illustrated Handbook and Encyclopaedia': UK link: https://www.amazon.co.uk/Midsummer-Nights-Illustrated-Handbook-Encyclopedia/dp/B09PKSTL1S/ref=sr_1_2 US link : https://www.amazon.com/Midsummer-Nights-Illustrated-Handbook-Encyclopedia/dp/B09PKSTL1S/ref=sr_1_2 Support the podcast at: www.thehistoryofeuropeantheatre.com www.patreon.com/thoetp www.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.…

The History Of European Theatre

1
A Midsummer Night’s Dream: ‘Man Is but An Ass If He Go About to Expound This Dream’ 33:35

8 weeks ago33:35

33:35

Episode 151 Having finished with Ben Jonson’s biography we can now go back in time just a little to work through Shakespeare’s and Jonson’s plays in more detail. By the early 1590s was then the man of the theatrical moment, no longer the young upstart, but the proven playmaker and ‘A Midsummer Night’s Dream’ surely did nothing but enhance that reputation and it has been popular ever since. A brief synopsis of the play The dating of the play Suggested settings for the play as a wedding celebration The sources for the play Biblical influences Publication of the play The central themes of the play The darker elements of the play Theseus and Hippolyta and the setting of the play The blindness of desire and passion The question of the nature of attraction The four lovers as exemplars of romantic love The significance of the play within the play The role of the rude mechanicals How the play within the play tells us something about theatre practice at the time Barriers to love – including a wall A brief performance history of the play Links to ‘A Midsummer Night’s Dream: An Illustrated Handbook and Encyclopaedia' by Rachel Aanstad: UK link: https://www.amazon.co.uk/Midsummer-Nights-Illustrated-Handbook-Encyclopedia/dp/B09PKSTL1S/ref=sr_1_2 US link : https://www.amazon.com/Midsummer-Nights-Illustrated-Handbook-Encyclopedia/dp/B09PKSTL1S/ref=sr_1_2 Support the podcast at: www.thehistoryofeuropeantheatre.com www.patreon.com/thoetp www.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.…

The History Of European Theatre

1
A Bawdy Twelfth Night: A Conversation with Rachel Aanstad 34:09

9 weeks ago34:09

34:09

Episode 150: For this very appropriately timed guest episode, which is released on the 6th January, Rachel Aanstad kindly agreed to come on the podcast and talk about the Elizabethan twelfth night traditions and Shakespeare’s play of the same name. As you will hear our discussion became very much more wide ranging than that, as is often the way when we talk about Shakespeare. Rachel’s close study of the play came about not only because she has written on the play in her book 'A Bawdy Twelfth Night or What You Will an Encyclopaedia & Dramaturgical Handbook', but because she has directed productions of the play. You will hear more on both those subjects as part of our conversation. Rachel Aanstad is a writer, artist, historian and self-confessed Shakespeare nerd. She has an MFA in theatre and is the former Artistic Director of Rose City Shakespeare Company. She lives in the pacific Northwest from where she writes books about Shakespeare’s plays and is currently writing about Shakespeare’s Influences for Pen and Sword which is to be published in 2026. Link to Twelfth Night or What You Will an Encyclopaedia & Dramaturgical Handbook: https://www.amazon.co.uk/Encyclopedia-Dramaturgical-Shakespearean-Encyclopedias-Handbooks/dp/B0BT2DZGTK/ref=sr_1_2?crid=270NMNCDMCX6J&dib=eyJ2IjoiMSJ9.tVcWzIabdRqiYBHGeNEcEPE_eYeRCTf2qEk6LRL3xtSgV8Xm38761BsX6tFKvqjKVi4kgv9kswwDFah3JLS67KX0r09uWKDy68AO_XpCOAQ.4HjwcRalbW8x65UhvPQl4quprJrQQPJUaajyTm9xVYs&dib_tag=se&keywords=r+k+aanstad&nsdOptOutParam=true&qid=1735475971&sprefix=r+k+aanstad%2Caps%2C89&sr=8-2 Hosted on Acast. See acast.com/privacy for more information.…

The History Of European Theatre

1
The Life of Ben Jonson Part Six: ‘Posterity Pays Every Man His Honour’ 33:08

10 weeks ago33:08

33:08

Episode 149 The life story of Ben Jonson concludes with events after the publication of his first folio to his death in 1637. ‘Bartholomew Fair’, a different sort of Jonson play. The finances of the court become more problematic, and Jonson earns and spends money. The trend for ‘projectors’ and Jonson becomes involved with Sir Willian Cockayne. ‘The Devil is an Ass’ satires money making projects. Jonson is honoured by Oxford and Cambridge universities. Jonson devotes a decade to poetry and scholarship. ‘The tribe of Ben’ forms at the Apollo Room. Jonson’s library burns in a house fire. Jonson’s health begins to decline. The death of King James and the marriage and coronation of Charles 1st. ‘The Staple of the News’, Jonson’s first play for a decade. Jonson’s health declines further. Jonson is appointed as Chronologer to the City of London. Jonson complains of poverty and receives money from supporters. The late Jonson plays fail to impress at the playhouse. ‘A Tale of a Tub’. A posthumous play, a play fragment and a collaboration. Jonson dies in 1637 and is buried in Westminster Abbey. Appreciation of Jonson since his death. Support the podcast at: www.thehistoryofeuropeantheatre.com www.patreon.com/thoetp www.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.…

The History Of European Theatre

1
Will, Ben & Tom at Christmas: An Affectionate Pastiche 25:57

11 weeks ago25:57

25:57

'Will, Ben and Tom at Christmas' is an affectionate pastiche, with my very best wishes to you all for Christmas and the New Year. Support the podcast at: www.thehistoryofeuropeantheatre.com www.patreon.com/thoetp www.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

The History Of European Theatre

1
The Life of Ben Jonson part Five: ‘Tis the House of Fame, Sir’ 33:02

12 weeks ago33:02

33:02

Episode 148: The life of Ben Jonson continues after he is released from prison after the publication of 'Eastward Ho!' Jonson’s possible involvement in the gunpowder plot and it’s aftermath. Jonson writes a masque for the marriage of Frances Howard and Robert Devereaux. Jonson defends his religious position in the face of recusancy fines. ‘Volpone’ is performed at The Globe as Jonson continues to produce masques. ‘Epicene or the Silent Woman’ is performed at the Whitefriars Theatre. ‘The Alchemist’ is performed at Oxford in a time of plague. The club at the Mermaid tavern. The return to the Anglican Church. Parliament’s financial settlement for the King curtails the expense on masques ‘Catiline his Conspiracy’ gets a rocky reception. Jonson works as a tutor for the Sydney family. The ‘grand tour’ with Wat Raleigh. The scandal of Robert Carr and Frances Devereaux. Johnson is granted a pension. The first folio of ‘The Works of Benjamin Jonson’. For your copy of ‘Cakes and Ale: Mr Robert Baddeley and his 12th Night Cakes’ by Nick Bromley go to www.lnpbooks.co.uk . The special offer price of £9.99 including UK postage is available until 6th January 2025 Support the podcast at: www.thehistoryofeuropeantheatre.com www.patreon.com/thoetp www.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.…

The History Of European Theatre

1
'The Divas Gift': A Conversation With Pamela Allen Brown 48:01

13 weeks ago48:01

48:01

One of the generally accepted facts about theatre in the time of Shakespeare and Jonson is that boy actors took female roles and women were banned from appearing on the stage. This is in fact only partly true and my guest for today’s episode has made a study of how early modern actresses, from traditions on the European continent, influenced the English stage. During out conversation we covered aspects of European theatre from the early 1500’s, and Commedia Dell’arte in particular. You will find my take on this in season three of the podcast and if you have already listened to that hopefully some of the names will still sound familiar. We also talked about the influence of actresses on playwrights and plays from the period and hopefully you will remember Lilly, Marlowe and Kyd and The Spanish Tragedy from season four of the podcast. All those episodes are still out there on your podcast feed if you need a refresher. Pamela Allen Brown is Professor Emerita of English, University of Connecticut. Her monograph The Diva’s Gift to the Shakespearean Stage: Agency, Theatricality, and the Innamorata was published by Oxford in 2021. With Julie Campbell and Eric Nicholson, she edited and translated Isabella Andreini's Lovers' Debates for the Stage, The Other Voice in Early Modern Europe (Iter, 2022). Previous books include Better a Shrew than a Sheep: Women, Drama and the Culture of Jest in Early Modern England; As You Like It: Texts and Contexts (co-authored with Jean E. Howard); and Women Players in England 1500-1650: Beyond the All-Male Stage (co-edited with Peter Parolin). She is a founding member of Theater Without Borders, a working group of scholars of early modern transnational drama, and she recently joined the New Books Network as a podcast host. Her poetry has appeared in Epiphany, First Literary Review East, New Square, Visual Verse, Public, Out of Sequence, and P/rose. For more on her work see: https://www.pamelaallenbrown.com/ Support the podcast at: www.thehistoryofeuropeantheatre.com www.patreon.com/thoetp www.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.…

The History Of European Theatre

1
The Life of Ben Jonson part Four: The Playhouse, the Court, and ‘The Masque of Blackness’ 36:02

14 weeks ago36:02

36:02

Episode 146: The banning of printed satire. ‘Every Man Out of His Humour’ is produced by The Lord Chamberlin’s Men. ‘Cynthia’s Revels’ is performed at court but is not well received. ‘Poetester’ is performed at the Blackfriars and sparks ‘the war of the poets’ with Dekker and Marston. ‘Sejanus: His Fall’ fails to impress. Jonson cultivates friendships with nobility close to the Stuart dynasty. The death of Elizabeth. Entertainments for the arrival of Queen Anne in England. Jonson’s contribution to the official entry of King James into London. Jonson is ejected from court on Twelfth Night 1604. The Court Masque. ‘The Masque of Blackness’. ‘Eastward Ho’ causes Jonson another spell in prison. Support the podcast at: www.thehistoryofeuropeantheatre.com www.patreon.com/thoetp www.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.…

The History Of European Theatre

1
The Life of Ben Jonson part Three: ‘There is no Greater Hell Than to be a Prisoner of Fear’ 31:54

15 weeks ago31:54

31:54

Episode 145: Continuing the story of Ben Jonson’s life from the point where just as he starts to make his mark in the theatre scene everything goes very badly wrong for him. ‘The Isle of Dogs’ at the Swan Theatre The closure of the London Theatres Jonson in prison How the London theatres reopened The Swan and Pembroke’s Men Speculation on the content of ‘The Isle of Dogs’ Jonson’s other early work for the theatre Jonson and the Lord Chamberlin’s Men Jonson’s duel with Gabriel Spencer Jonson in prison again The conversion to Catholicism Jonson’s trial and taking ‘the benefit of the clergy’ Support the podcast at: www.thehistoryofeuropeantheatre.com www.patreon.com/thoetp www.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.…

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Playing with Shakespeare: A Conversation with Charles Moseley