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Kandungan disediakan oleh Film Comment and Film Comment Magazine. Semua kandungan podcast termasuk episod, grafik dan perihalan podcast dimuat naik dan disediakan terus oleh Film Comment and Film Comment Magazine atau rakan kongsi platform podcast mereka. Jika anda percaya seseorang menggunakan karya berhak cipta anda tanpa kebenaran anda, anda boleh mengikuti proses yang digariskan di sini https://ms.player.fm/legal.
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Mumbai Film Festival, with Inney Prakash

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Manage episode 386129058 series 115441
Kandungan disediakan oleh Film Comment and Film Comment Magazine. Semua kandungan podcast termasuk episod, grafik dan perihalan podcast dimuat naik dan disediakan terus oleh Film Comment and Film Comment Magazine atau rakan kongsi platform podcast mereka. Jika anda percaya seseorang menggunakan karya berhak cipta anda tanpa kebenaran anda, anda boleh mengikuti proses yang digariskan di sini https://ms.player.fm/legal.
After a three-year hiatus induced by the COVID-19 pandemic, the 2023 Jio MAMI Mumbai Film Festival returned this year with a new curatorial team and a robust lineup of independent and art-house work from all over South Asia and beyond. One of the major international film festivals in the region, MAMI (as it is colloquially known) is a unique combination of corporate glitz and die-hard indie cinephilia. Sponsored in large part by Reliance Industries, the company owned and run by the richest family in India, and boasting major Bollywood figures on its board, the festival is nevertheless an oasis for formally and politically bold filmmaking in a cultural landscape dominated by commercial blockbusters and constrained by censorship policies. Devika attended the festival for the first time this year, as did curator and Film Comment contributor Inney Prakash. On today’s episode, they discuss their experience in Mumbai and some of the highlights of the South Asia selection, including The World Is Family by Anand Patwardhan, Against the Tide by Sarvnik Kaur, Which Colour? by Shahrukhkhan Chavada, a program of short films by Amit Dutta, and more.
  continue reading

493 episod

Artwork
iconKongsi
 
Manage episode 386129058 series 115441
Kandungan disediakan oleh Film Comment and Film Comment Magazine. Semua kandungan podcast termasuk episod, grafik dan perihalan podcast dimuat naik dan disediakan terus oleh Film Comment and Film Comment Magazine atau rakan kongsi platform podcast mereka. Jika anda percaya seseorang menggunakan karya berhak cipta anda tanpa kebenaran anda, anda boleh mengikuti proses yang digariskan di sini https://ms.player.fm/legal.
After a three-year hiatus induced by the COVID-19 pandemic, the 2023 Jio MAMI Mumbai Film Festival returned this year with a new curatorial team and a robust lineup of independent and art-house work from all over South Asia and beyond. One of the major international film festivals in the region, MAMI (as it is colloquially known) is a unique combination of corporate glitz and die-hard indie cinephilia. Sponsored in large part by Reliance Industries, the company owned and run by the richest family in India, and boasting major Bollywood figures on its board, the festival is nevertheless an oasis for formally and politically bold filmmaking in a cultural landscape dominated by commercial blockbusters and constrained by censorship policies. Devika attended the festival for the first time this year, as did curator and Film Comment contributor Inney Prakash. On today’s episode, they discuss their experience in Mumbai and some of the highlights of the South Asia selection, including The World Is Family by Anand Patwardhan, Against the Tide by Sarvnik Kaur, Which Colour? by Shahrukhkhan Chavada, a program of short films by Amit Dutta, and more.
  continue reading

493 episod

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