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Kandungan disediakan oleh Ashley Newby and John E. Drabinski, Ashley Newby, and John E. Drabinski. Semua kandungan podcast termasuk episod, grafik dan perihalan podcast dimuat naik dan disediakan terus oleh Ashley Newby and John E. Drabinski, Ashley Newby, and John E. Drabinski atau rakan kongsi platform podcast mereka. Jika anda percaya seseorang menggunakan karya berhak cipta anda tanpa kebenaran anda, anda boleh mengikuti proses yang digariskan di sini https://ms.player.fm/legal.
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Robin Means Coleman - Department of Media Studies and African American and African Studies, University of Virginia

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Manage episode 451285639 series 3573412
Kandungan disediakan oleh Ashley Newby and John E. Drabinski, Ashley Newby, and John E. Drabinski. Semua kandungan podcast termasuk episod, grafik dan perihalan podcast dimuat naik dan disediakan terus oleh Ashley Newby and John E. Drabinski, Ashley Newby, and John E. Drabinski atau rakan kongsi platform podcast mereka. Jika anda percaya seseorang menggunakan karya berhak cipta anda tanpa kebenaran anda, anda boleh mengikuti proses yang digariskan di sini https://ms.player.fm/legal.

This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.

Today’s conversation is with Robin Means Coleman, Professor of Media Studies and of African American and African Studies at the University of Virginia where she is also Director of the Black Fantastic Media Research Lab. In addition to a number of scholarly and popular essays, she is the author of Horror Noire: A History of Black American Horror from the 1890s to Present, published as a second edition in 2023, and,] African American Viewers and the Black Situation Comedy: Situating Racial Humor, published in 2000. She is co-author of The Black Guy Dies First: Black Horror from Fodder to Oscar (2023) and Intercultural Communication for Everyday Life (2014). She is the editor of Say It Loud! African American Audiences, Media, and Identity (2002) and co-editor of both The Oxford Handbook of Black Horror Film (2024) and Fight the Power! The Spike Lee Reader (2008). In this conversation, we discuss the dynamic character of Black Studies in relation to community-campus relations, the political nature of research and teaching, and the complex relationship between Black Studies and study focused on Black topics

  continue reading

64 episod

Artwork
iconKongsi
 
Manage episode 451285639 series 3573412
Kandungan disediakan oleh Ashley Newby and John E. Drabinski, Ashley Newby, and John E. Drabinski. Semua kandungan podcast termasuk episod, grafik dan perihalan podcast dimuat naik dan disediakan terus oleh Ashley Newby and John E. Drabinski, Ashley Newby, and John E. Drabinski atau rakan kongsi platform podcast mereka. Jika anda percaya seseorang menggunakan karya berhak cipta anda tanpa kebenaran anda, anda boleh mengikuti proses yang digariskan di sini https://ms.player.fm/legal.

This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.

Today’s conversation is with Robin Means Coleman, Professor of Media Studies and of African American and African Studies at the University of Virginia where she is also Director of the Black Fantastic Media Research Lab. In addition to a number of scholarly and popular essays, she is the author of Horror Noire: A History of Black American Horror from the 1890s to Present, published as a second edition in 2023, and,] African American Viewers and the Black Situation Comedy: Situating Racial Humor, published in 2000. She is co-author of The Black Guy Dies First: Black Horror from Fodder to Oscar (2023) and Intercultural Communication for Everyday Life (2014). She is the editor of Say It Loud! African American Audiences, Media, and Identity (2002) and co-editor of both The Oxford Handbook of Black Horror Film (2024) and Fight the Power! The Spike Lee Reader (2008). In this conversation, we discuss the dynamic character of Black Studies in relation to community-campus relations, the political nature of research and teaching, and the complex relationship between Black Studies and study focused on Black topics

  continue reading

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