In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Kandungan disediakan oleh The B-Side: A Film Stage Podcast and The Film Stage. Semua kandungan podcast termasuk episod, grafik dan perihalan podcast dimuat naik dan disediakan terus oleh The B-Side: A Film Stage Podcast and The Film Stage atau rakan kongsi platform podcast mereka. Jika anda percaya seseorang menggunakan karya berhak cipta anda tanpa kebenaran anda, anda boleh mengikuti proses yang digariskan di sini https://ms.player.fm/legal.
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Ep. 150 – Ridley Scott (feat. Maria Lewis)
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Manage episode 452220063 series 3404685
Kandungan disediakan oleh The B-Side: A Film Stage Podcast and The Film Stage. Semua kandungan podcast termasuk episod, grafik dan perihalan podcast dimuat naik dan disediakan terus oleh The B-Side: A Film Stage Podcast and The Film Stage atau rakan kongsi platform podcast mereka. Jika anda percaya seseorang menggunakan karya berhak cipta anda tanpa kebenaran anda, anda boleh mengikuti proses yang digariskan di sini https://ms.player.fm/legal.
Happy Thanksgiving from The B-Side! Here we talk about movie directors! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today, for our 150th(!) episode, we are thankful for Ridley Scott! As Gladiator II reigns supreme at the box office, our B-Sides today include Legend, Matchstick Men, Exodus: Gods and Kings, and The Last Duel. Our esteemed guest Maria Lewis - “best-selling author, screenwriter, film curator and pop culture etymologist currently based in Australia - is back! Much is discussed over two-and-a-half glorious hours. Ridler’s pioneering Apple Ad; his recent breakneck pace as filmmaker; his movies being on Australian television constantly; and his production empire. Maria laments her experience watching Legend for the first time while Dan and Conor celebrate the film’s importance in their childhood. Ridley’s fascination with death comes up, as do the competing Christopher Columbus film projects in 1992. There’s talk of his legacy and Ridley’s consideration of it. The “best intentions” of The Last Duel are discussed at length (name a woman!), as are the top-notch performances and the disappointing box office. Dan also fumbles over a tacit defense of G.I. Jane. It’s embarrassing! Be sure to give us a follow on social at @TFSBSide. Also enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor.
…
continue reading
163 episod
MP3•Laman utama episod
Manage episode 452220063 series 3404685
Kandungan disediakan oleh The B-Side: A Film Stage Podcast and The Film Stage. Semua kandungan podcast termasuk episod, grafik dan perihalan podcast dimuat naik dan disediakan terus oleh The B-Side: A Film Stage Podcast and The Film Stage atau rakan kongsi platform podcast mereka. Jika anda percaya seseorang menggunakan karya berhak cipta anda tanpa kebenaran anda, anda boleh mengikuti proses yang digariskan di sini https://ms.player.fm/legal.
Happy Thanksgiving from The B-Side! Here we talk about movie directors! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today, for our 150th(!) episode, we are thankful for Ridley Scott! As Gladiator II reigns supreme at the box office, our B-Sides today include Legend, Matchstick Men, Exodus: Gods and Kings, and The Last Duel. Our esteemed guest Maria Lewis - “best-selling author, screenwriter, film curator and pop culture etymologist currently based in Australia - is back! Much is discussed over two-and-a-half glorious hours. Ridler’s pioneering Apple Ad; his recent breakneck pace as filmmaker; his movies being on Australian television constantly; and his production empire. Maria laments her experience watching Legend for the first time while Dan and Conor celebrate the film’s importance in their childhood. Ridley’s fascination with death comes up, as do the competing Christopher Columbus film projects in 1992. There’s talk of his legacy and Ridley’s consideration of it. The “best intentions” of The Last Duel are discussed at length (name a woman!), as are the top-notch performances and the disappointing box office. Dan also fumbles over a tacit defense of G.I. Jane. It’s embarrassing! Be sure to give us a follow on social at @TFSBSide. Also enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor.
…
continue reading
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