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014 - Kevin Mullaney - On Clear Games and Using Both Organic and Premise-Based Styles

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Manage episode 124514235 series 130962
Kandungan disediakan oleh Brian Gray. Semua kandungan podcast termasuk episod, grafik dan perihalan podcast dimuat naik dan disediakan terus oleh Brian Gray atau rakan kongsi platform podcast mereka. Jika anda percaya seseorang menggunakan karya berhak cipta anda tanpa kebenaran anda, anda boleh mengikuti proses yang digariskan di sini https://ms.player.fm/legal.

At Improv Wins in Austin, I also caught up with Artistic Director for the Chicago Improv Festival. Artistic Director for Under The Gun Theater and former head of the training program and Artistic Director of the UCB Theater Kevin Mullaney.

Brian and Kevin talk about how, since moving back to Chicago, Kevin has come to admire premise-based improv and teach it as a core way to approach scenes, particularly later in Harold. He talks about his view of games and turning an unusual moment into a game (and how they are not the same thing).

We played a few scenes, focusing on using edits to heighten character's game from the previous scene. It went ok and led to a fantastic discussion!

Thanks to The New Movement for letting us record in their classroom!

Music in the podcast:

  continue reading

20 episod

Artwork
iconKongsi
 
Manage episode 124514235 series 130962
Kandungan disediakan oleh Brian Gray. Semua kandungan podcast termasuk episod, grafik dan perihalan podcast dimuat naik dan disediakan terus oleh Brian Gray atau rakan kongsi platform podcast mereka. Jika anda percaya seseorang menggunakan karya berhak cipta anda tanpa kebenaran anda, anda boleh mengikuti proses yang digariskan di sini https://ms.player.fm/legal.

At Improv Wins in Austin, I also caught up with Artistic Director for the Chicago Improv Festival. Artistic Director for Under The Gun Theater and former head of the training program and Artistic Director of the UCB Theater Kevin Mullaney.

Brian and Kevin talk about how, since moving back to Chicago, Kevin has come to admire premise-based improv and teach it as a core way to approach scenes, particularly later in Harold. He talks about his view of games and turning an unusual moment into a game (and how they are not the same thing).

We played a few scenes, focusing on using edits to heighten character's game from the previous scene. It went ok and led to a fantastic discussion!

Thanks to The New Movement for letting us record in their classroom!

Music in the podcast:

  continue reading

20 episod

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