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1 Love Is Blind S8: Pods & Sober High Thoughts w/ Courtney Revolution & Meg 1:06:00
Formal Meets Feral in “A New Leaf” (Elaine May, 1971) – Part 1
Manage episode 446081984 series 2774930
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Henry Graham belongs to the most exclusive clubs, dines regularly at the most lavish restaurants, drives a Ferrari, employs a butler, and owns something called a Montrazini—in short, he capitalizes fully on his inheritance, despite having little understanding of what “capital” actually is. The very ignorance of practicality that his wealth affords turns out to be his undoing, as soon finds that he’s run out of money and must bid goodbye to the high life—unless, that is, he can find a single, wealthy, isolated woman to marry and, for the sake of preserving his refined, hermetically-sealed existence, murder. Enter Henrietta Lowell. Similarly stunted by her own inheritance, she’s friendless, awkward, and utterly helpless: the perfect mark… But Henry soon discovers that protecting his own interests also means protecting hers, that competence can grow out of the exigency incompetence creates, and that practicing love for someone turns out to be just as good as actually loving them. Wes & Erin discuss the 1971 film “A New Leaf,” written and directed by Elaine May.
Thanks to our sponsor, the incredible online language school Lingoda. Go to https://try.lingoda.com/Subtext and use code SUBTEXT to save 20 EUR (or equivalent in your currency) when signing up.
Upcoming Episodes: “Whoso List to Hunt” and “They Flee From Me” (Thomas Wyatt), “Beetlejuice,” Conrad Aiken (“Senlin” Section 2 of II. His Futile Preoccupations).
For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes.
This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science.
Email advertising@airwavemedia.com to enquire about advertising on the podcast.
124 episod
Manage episode 446081984 series 2774930
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Henry Graham belongs to the most exclusive clubs, dines regularly at the most lavish restaurants, drives a Ferrari, employs a butler, and owns something called a Montrazini—in short, he capitalizes fully on his inheritance, despite having little understanding of what “capital” actually is. The very ignorance of practicality that his wealth affords turns out to be his undoing, as soon finds that he’s run out of money and must bid goodbye to the high life—unless, that is, he can find a single, wealthy, isolated woman to marry and, for the sake of preserving his refined, hermetically-sealed existence, murder. Enter Henrietta Lowell. Similarly stunted by her own inheritance, she’s friendless, awkward, and utterly helpless: the perfect mark… But Henry soon discovers that protecting his own interests also means protecting hers, that competence can grow out of the exigency incompetence creates, and that practicing love for someone turns out to be just as good as actually loving them. Wes & Erin discuss the 1971 film “A New Leaf,” written and directed by Elaine May.
Thanks to our sponsor, the incredible online language school Lingoda. Go to https://try.lingoda.com/Subtext and use code SUBTEXT to save 20 EUR (or equivalent in your currency) when signing up.
Upcoming Episodes: “Whoso List to Hunt” and “They Flee From Me” (Thomas Wyatt), “Beetlejuice,” Conrad Aiken (“Senlin” Section 2 of II. His Futile Preoccupations).
For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes.
This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science.
Email advertising@airwavemedia.com to enquire about advertising on the podcast.
124 episod
Semua episod
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1 Possibility and Loss in the Poetry of Rainer Maria Rilke (Part 2) 39:05
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1 Possibility and Loss in the Poetry of Rainer Maria Rilke 46:01
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1 Irony as Anesthetic in Robert Altman’s “M.A.S.H” (1970) – Part 2 47:53
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1 Irony as Anesthetic in Robert Altman’s “M.A.S.H” (1970) 45:37
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1 Aesthetic Humility in Marianne Moore’s “The Jerboa” (Part 2) 50:11
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1 Aesthetic Humility in Marianne Moore’s “The Jerboa” 44:14
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1 Word and Image in “Sunset Boulevard” (1950) – Part 2 35:41
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1 Word and Image in “Sunset Boulevard” (1950) 41:17
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1 The Sublime Mundane in Conrad Aiken’s “Morning Song of Senlin” (Part 2) 47:39
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1 The Sublime Mundane in Conrad Aiken’s “Morning Song of Senlin” 47:51
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1 The Aesthetics of Death in “Beetlejuice” (1988) (Part 2) 46:29
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1 The Aesthetics of Death in “Beetlejuice” (1988) 43:29
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1 A Strange Fashion of Forsaking in the Poetry of Thomas Wyatt (Part 2) 42:57
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1 A Strange Fashion of Forsaking in the Poetry of Thomas Wyatt (Part 1) 52:17
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1 Formal Meets Feral in “A New Leaf” (Elaine May, 1971) – Part 2 44:34
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