In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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The White Tiger & The Remains Of The Day
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Kandungan disediakan oleh One For You. Semua kandungan podcast termasuk episod, grafik dan perihalan podcast dimuat naik dan disediakan terus oleh One For You atau rakan kongsi platform podcast mereka. Jika anda percaya seseorang menggunakan karya berhak cipta anda tanpa kebenaran anda, anda boleh mengikuti proses yang digariskan di sini https://ms.player.fm/legal.
THE WHITE TIGER tells the story of an ambitious Indian driver who tries to claw his way from the bottom of class system, if not to the top, at least to a higher rung on the ladder. Alan Mattli and I discuss the sense of inevitable doom hanging over the story and the possible resemblance to the gangster stories of Martin Scorsese. THE REMAINS OF THE DAY shows the dehumanising effect of the English class system and how it leads to the abdication of personal responsibility for political and moral decisions. And we can’t get over how Anthony Hopkins does so much by doing nothing.
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93 episod
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Manage episode 283051897 series 2085654
Kandungan disediakan oleh One For You. Semua kandungan podcast termasuk episod, grafik dan perihalan podcast dimuat naik dan disediakan terus oleh One For You atau rakan kongsi platform podcast mereka. Jika anda percaya seseorang menggunakan karya berhak cipta anda tanpa kebenaran anda, anda boleh mengikuti proses yang digariskan di sini https://ms.player.fm/legal.
THE WHITE TIGER tells the story of an ambitious Indian driver who tries to claw his way from the bottom of class system, if not to the top, at least to a higher rung on the ladder. Alan Mattli and I discuss the sense of inevitable doom hanging over the story and the possible resemblance to the gangster stories of Martin Scorsese. THE REMAINS OF THE DAY shows the dehumanising effect of the English class system and how it leads to the abdication of personal responsibility for political and moral decisions. And we can’t get over how Anthony Hopkins does so much by doing nothing.
…
continue reading
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