Große Solisten, interessante Interpretationen, vielversprechende Newcomer: BR-KLASSIK stellt Ihnen immer werktags neue Klassik-CDs vor – das ausgewählte "Album der Woche" gibt's dann samstags im Klassikmagazin Piazza sowie hier als Podcast.
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Kandungan disediakan oleh Karlheinz Essl. Semua kandungan podcast termasuk episod, grafik dan perihalan podcast dimuat naik dan disediakan terus oleh Karlheinz Essl atau rakan kongsi platform podcast mereka. Jika anda percaya seseorang menggunakan karya berhak cipta anda tanpa kebenaran anda, anda boleh mengikuti proses yang digariskan di sini https://ms.player.fm/legal.
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Von Hirschen und Röhren (2006) - BINAURAL
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Manage episode 445750750 series 1156058
Kandungan disediakan oleh Karlheinz Essl. Semua kandungan podcast termasuk episod, grafik dan perihalan podcast dimuat naik dan disediakan terus oleh Karlheinz Essl atau rakan kongsi platform podcast mereka. Jika anda percaya seseorang menggunakan karya berhak cipta anda tanpa kebenaran anda, anda boleh mengikuti proses yang digariskan di sini https://ms.player.fm/legal.
Binaural rendering of a 6-channel version from 2017 with REAPER and dearVR (Studio kHz, 18 Oct 2024). Generative sound environment for an art installation by Beat Zoder, written in MaxMSP. In 2006, Swiss artist Beat Zoderer and Austrian composer Karlheinz Essl were commissioned to create a collaborative work for the music festival Stanser Musiktage. In an abandoned repository situated in the heart of the Swiss alps, both artists were setting up a room installation made of sewer pipes. Those plastic parts of different lengths were equipped with funnel speakers driven by a customized computer program written in MaxMSP by Karlheinz Essl. Utilizing realtime composition algorithms which the composers develops since 1985, his software created an ever-changing sonic environment which never repeated itself. Seen from outside, the structure resembled a giant jackstraw heap which invited the public to explore the space. Sounds that were projected from the loudspeakers through the pipes commuted through the air, creating a mysterious atmosphere as if some hidden creatures were talking to each other in an incomprehensible, yet compelling language. Info: https://essl.at/works/hirsch-roehren.html
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303 episod
MP3•Laman utama episod
Manage episode 445750750 series 1156058
Kandungan disediakan oleh Karlheinz Essl. Semua kandungan podcast termasuk episod, grafik dan perihalan podcast dimuat naik dan disediakan terus oleh Karlheinz Essl atau rakan kongsi platform podcast mereka. Jika anda percaya seseorang menggunakan karya berhak cipta anda tanpa kebenaran anda, anda boleh mengikuti proses yang digariskan di sini https://ms.player.fm/legal.
Binaural rendering of a 6-channel version from 2017 with REAPER and dearVR (Studio kHz, 18 Oct 2024). Generative sound environment for an art installation by Beat Zoder, written in MaxMSP. In 2006, Swiss artist Beat Zoderer and Austrian composer Karlheinz Essl were commissioned to create a collaborative work for the music festival Stanser Musiktage. In an abandoned repository situated in the heart of the Swiss alps, both artists were setting up a room installation made of sewer pipes. Those plastic parts of different lengths were equipped with funnel speakers driven by a customized computer program written in MaxMSP by Karlheinz Essl. Utilizing realtime composition algorithms which the composers develops since 1985, his software created an ever-changing sonic environment which never repeated itself. Seen from outside, the structure resembled a giant jackstraw heap which invited the public to explore the space. Sounds that were projected from the loudspeakers through the pipes commuted through the air, creating a mysterious atmosphere as if some hidden creatures were talking to each other in an incomprehensible, yet compelling language. Info: https://essl.at/works/hirsch-roehren.html
…
continue reading
303 episod
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