Strings of Identity: The Horse-Head Fiddle and Mongolian Identity in China (with Ying Song)

New Books in Performing Arts

In this episode, we trace how the horse-head fiddle has evolved in the People’s Republic of China — from a traditional steppe instrument to a cultural symbol reshaped through state representation and modern performance. We discuss how it is made, taught, and performed in China, how it is portrayed in Chinese institutions, and how young Mongols today engage with the instrument as a way to express identity, creativity, and belonging in contemporary China.

Our guest, Ying Song from Zhejiang University, is a PhD candidate in sociology whose research focuses on the horse-head fiddle and its role in shaping Mongolian identity. Beyond academia, she has also curated cultural exhibitions and organized numerous Mongolian music-sharing events, which you can find in the link below.

Ning Ao is a PhD student at the Centre for East and South-East Asian Studies (ACE) at Lund University. Her research looks at generational differences among Chinese Mongols.

Episode producer: Ning Ao

Ying Song’s Rednote Page

Ying Song’s Email: [email protected]

Swedish physician and missionary Joel Eriksson in Inner Mongolia

The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the following academic partners:

• Asia Centre, University of Tartu (Estonia)
• Asian studies, University of Helsinki (Finland)
• Centre for Asian Studies, Vytautas Magnus University (Lithuania)
• Centre for East and South-East Asian Studies, Lund University (Sweden)
• Centre for East Asian Studies, University of Turku (Finland)
• Norwegian Network for Asian Studies

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