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"A Man to be Thankful for"? Louis Agassiz and His Contemporaries

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Kandungan disediakan oleh Maine Historical Society. Semua kandungan podcast termasuk episod, grafik dan perihalan podcast dimuat naik dan disediakan terus oleh Maine Historical Society atau rakan kongsi platform podcast mereka. Jika anda percaya seseorang menggunakan karya berhak cipta anda tanpa kebenaran anda, anda boleh mengikuti proses yang digariskan di sini https://ms.player.fm/legal.
Christoph Irmscher; Recorded August 8, 2023 - Christoph Irmscher, author of Louis Agassiz: Creator of American Science, reflected on Agassiz's legacy, his friendships with Emerson, Henry Wadsworth and Fanny Longfellow and others, and how his own thinking about Agassiz has (and hasn't) changed since he published his biography 10 years ago. The talk addressed Agassiz's scientific achievements as well as his controversial involvement in the production of racist photographs, not only the more infamous daguerreotypes but also the less familiar cache of glass negatives made in Manaus, Brazil, in 1865 (and the responses to this expedition by contemporary Brazilian artists).
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135 episod

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Manage episode 390787431 series 1424049
Kandungan disediakan oleh Maine Historical Society. Semua kandungan podcast termasuk episod, grafik dan perihalan podcast dimuat naik dan disediakan terus oleh Maine Historical Society atau rakan kongsi platform podcast mereka. Jika anda percaya seseorang menggunakan karya berhak cipta anda tanpa kebenaran anda, anda boleh mengikuti proses yang digariskan di sini https://ms.player.fm/legal.
Christoph Irmscher; Recorded August 8, 2023 - Christoph Irmscher, author of Louis Agassiz: Creator of American Science, reflected on Agassiz's legacy, his friendships with Emerson, Henry Wadsworth and Fanny Longfellow and others, and how his own thinking about Agassiz has (and hasn't) changed since he published his biography 10 years ago. The talk addressed Agassiz's scientific achievements as well as his controversial involvement in the production of racist photographs, not only the more infamous daguerreotypes but also the less familiar cache of glass negatives made in Manaus, Brazil, in 1865 (and the responses to this expedition by contemporary Brazilian artists).
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