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Do we prefer our main characters with side character energy? (Grease, Pulp Fiction, Fight Club)
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This week we consider unexpected main character-side character dynamics; the supporting parts that outshine the lead (Rizzo in Grease), characters that are both side and main at once (Pulp Fiction) and what it means when the side character was the protagonist the whole time (Fight Club).
Films referenced:
Grease (1979) dir. by Randal Kleiser
Pulp Fiction (1994) dir. by Quentin Tarantino
Fight Club (1999) dir. by David Fincher
Sherlock Jr. (1924) dir. by Buster Keaton
My Neighbor Totoro (1989) dir. by Hayao Miyazaki
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