Audio 26: Comes in Clutch ft. Steven Shinder (The Spectre of Lanyon Moor)

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2+ y ago 1:28:40

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I think Kiyan spent a little too much time on knowyourmeme this week.

So one time I was driving my car away from the shop after replacing my transmission fluid and Dom Toretto pulled up next to me. He rolled down his window, and I obliged the unspoken invitation to do the same. He had been looking for a challenge, he said, and offered to race me. I agreed, of course, reluctantly. Long story short, I won. Guess you could say my transmission came in clutch. Speaking of which, this week we’re coming in clutch with The Spectre of Lanyon Moor written by Nicolas Pegg and released in June 2000.

Show-notes:
3:48: I thought it was spelled “fugu” but it’s spelled “fogou.” (Editor’s note: I thought it was spelled “fondue.”)
4:48: Good news, I have the cover for you right here.
9:23: Good news Once again we refer to The Time Scales for these numbers.
23:00:The mounds were burial sites apparently.
29:07:Check out Zenith: A Blake’s 7 Podcast, our Blake’s 7 podcast.
30:50:Believe it or not, I found the TikTok I was referring to. (Warning: watching while British may cause extreme distress.)
37:15:Screw you guys, I’m going home.
38:22:They do use imperial units in the UK, and Kiyan and Dylan are both correct. Road signs are required by law to be in feet/miles, and the common British vernacular uses imperial units, i.e. feet for height and pounds for food. Read more in this BBC article.
58:36: Based means being yourself. Not being scared of what people think about you. Not being afraid to do what you wanna do. Being positive.
1:02:35: Check out our old episode on The Nightmare Fair I guess.
1:23:06: Airzone Solution novelisation
1:26:57: By “you” he meant Kiyan. (Editor’s note: I don’t know what this is referring to.)

You can find Steven on:
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Doctor Who © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Delia Derbyshire.

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