Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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Episode 213: 18213 24 Preludes for Solo Banjo
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Kandungan disediakan oleh Classical Music Discoveries. Semua kandungan podcast termasuk episod, grafik dan perihalan podcast dimuat naik dan disediakan terus oleh Classical Music Discoveries atau rakan kongsi platform podcast mereka. Jika anda percaya seseorang menggunakan karya berhak cipta anda tanpa kebenaran anda, anda boleh mengikuti proses yang digariskan di sini https://ms.player.fm/legal.
Hailed as “one of a kind, a banjoist who specializes in classical music and regularly knocks socks off left and right doing so,” John Bullard has released a new recording, 24 Preludes for Solo Banjo, Volume One, Books 1 & 2 Nos. I-XII was produced by multiple Juno Award and Grammy-winning David Travers-Smith. Bullard commissioned composer Adam Larrabee to write 24 Preludes which Larrabee says he wrote in a style that is “predominantly early 20th-century, at times almost neo-classical and inspired by works of J.S. Bach, Chopin, and Shostakovich that follow the long-standing tradition of writing pieces in all the major and minor keys to showcase an instrument’s versatility.” He continues, “I have tried to make each prelude feature a different form, performance technique, timbre, or rhythmic style. There is an all-pizzicato or muted piece, one featuring natural harmonics or “chimes,” a Bulgarian ratchenitsa, a Basque zortico, a passacaglia, a jazz “stride piano” style cakewalk, a theme and variations, a Brazilian choro in the style of the great Villa-Lobos, and Russian march ala Prokofiev. It has been a wonderful experience to feature the banjo in these diverse styles and create new repertoire for this beautifully unique and versatile instrument.” Available through iTunes, Spotify, Apple Music, Bandcamp, Amazon, and other major streaming services, the recording can also be purchased at JohnBullard.com. Purchase the music (without talk) at:24 Preludes for Solo Banjo, Volume One, Books 1 & 2 Nos. I-XII (classicalsavings.com)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson).
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2568 episod
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Manage episode 321432865 series 8563
Kandungan disediakan oleh Classical Music Discoveries. Semua kandungan podcast termasuk episod, grafik dan perihalan podcast dimuat naik dan disediakan terus oleh Classical Music Discoveries atau rakan kongsi platform podcast mereka. Jika anda percaya seseorang menggunakan karya berhak cipta anda tanpa kebenaran anda, anda boleh mengikuti proses yang digariskan di sini https://ms.player.fm/legal.
Hailed as “one of a kind, a banjoist who specializes in classical music and regularly knocks socks off left and right doing so,” John Bullard has released a new recording, 24 Preludes for Solo Banjo, Volume One, Books 1 & 2 Nos. I-XII was produced by multiple Juno Award and Grammy-winning David Travers-Smith. Bullard commissioned composer Adam Larrabee to write 24 Preludes which Larrabee says he wrote in a style that is “predominantly early 20th-century, at times almost neo-classical and inspired by works of J.S. Bach, Chopin, and Shostakovich that follow the long-standing tradition of writing pieces in all the major and minor keys to showcase an instrument’s versatility.” He continues, “I have tried to make each prelude feature a different form, performance technique, timbre, or rhythmic style. There is an all-pizzicato or muted piece, one featuring natural harmonics or “chimes,” a Bulgarian ratchenitsa, a Basque zortico, a passacaglia, a jazz “stride piano” style cakewalk, a theme and variations, a Brazilian choro in the style of the great Villa-Lobos, and Russian march ala Prokofiev. It has been a wonderful experience to feature the banjo in these diverse styles and create new repertoire for this beautifully unique and versatile instrument.” Available through iTunes, Spotify, Apple Music, Bandcamp, Amazon, and other major streaming services, the recording can also be purchased at JohnBullard.com. Purchase the music (without talk) at:24 Preludes for Solo Banjo, Volume One, Books 1 & 2 Nos. I-XII (classicalsavings.com)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson).
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