Tangentially Speaking is dedicated to the idea that good conversation is organic, uncensored, revelatory, and free to go down unexpected paths with unconventional people. chrisryan.substack.com
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Kandungan disediakan oleh Cities and Memory - remixing the world and Cities and Memory. Semua kandungan podcast termasuk episod, grafik dan perihalan podcast dimuat naik dan disediakan terus oleh Cities and Memory - remixing the world and Cities and Memory atau rakan kongsi platform podcast mereka. Jika anda percaya seseorang menggunakan karya berhak cipta anda tanpa kebenaran anda, anda boleh mengikuti proses yang digariskan di sini https://ms.player.fm/legal.
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Another homage
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Manage episode 423672590 series 1127440
Kandungan disediakan oleh Cities and Memory - remixing the world and Cities and Memory. Semua kandungan podcast termasuk episod, grafik dan perihalan podcast dimuat naik dan disediakan terus oleh Cities and Memory - remixing the world and Cities and Memory atau rakan kongsi platform podcast mereka. Jika anda percaya seseorang menggunakan karya berhak cipta anda tanpa kebenaran anda, anda boleh mengikuti proses yang digariskan di sini https://ms.player.fm/legal.
"The original recording has two distinct sections; the first features a violinist practicing whilst the second has more emphasis on people walking and talking.
"I took a short section of the violin from the first part and slowed it down a little. I repeated this phrase whilst adding in other instruments as it repeats. The second half of the original recording is played over the music at roughly the half way point of the piece. In the same way that the instruments are introduced they fade slowly (at different speeds) through the second part of the piece leaving the solo violinist to continue their practice alone at the end. Because of the way the process works no two repeats are identical.
"The title is a reference to Gavin Bryars (whom I studied composition with) both in the way that this piece shares a similar process with "Jesus' Blood Never Failed Me Yet" and to an early piece of his called "My First Homage"."
Ponte Raspi, Venice reimagined by Simon Belshaw.
"I took a short section of the violin from the first part and slowed it down a little. I repeated this phrase whilst adding in other instruments as it repeats. The second half of the original recording is played over the music at roughly the half way point of the piece. In the same way that the instruments are introduced they fade slowly (at different speeds) through the second part of the piece leaving the solo violinist to continue their practice alone at the end. Because of the way the process works no two repeats are identical.
"The title is a reference to Gavin Bryars (whom I studied composition with) both in the way that this piece shares a similar process with "Jesus' Blood Never Failed Me Yet" and to an early piece of his called "My First Homage"."
Ponte Raspi, Venice reimagined by Simon Belshaw.
691 episod
MP3•Laman utama episod
Manage episode 423672590 series 1127440
Kandungan disediakan oleh Cities and Memory - remixing the world and Cities and Memory. Semua kandungan podcast termasuk episod, grafik dan perihalan podcast dimuat naik dan disediakan terus oleh Cities and Memory - remixing the world and Cities and Memory atau rakan kongsi platform podcast mereka. Jika anda percaya seseorang menggunakan karya berhak cipta anda tanpa kebenaran anda, anda boleh mengikuti proses yang digariskan di sini https://ms.player.fm/legal.
"The original recording has two distinct sections; the first features a violinist practicing whilst the second has more emphasis on people walking and talking.
"I took a short section of the violin from the first part and slowed it down a little. I repeated this phrase whilst adding in other instruments as it repeats. The second half of the original recording is played over the music at roughly the half way point of the piece. In the same way that the instruments are introduced they fade slowly (at different speeds) through the second part of the piece leaving the solo violinist to continue their practice alone at the end. Because of the way the process works no two repeats are identical.
"The title is a reference to Gavin Bryars (whom I studied composition with) both in the way that this piece shares a similar process with "Jesus' Blood Never Failed Me Yet" and to an early piece of his called "My First Homage"."
Ponte Raspi, Venice reimagined by Simon Belshaw.
"I took a short section of the violin from the first part and slowed it down a little. I repeated this phrase whilst adding in other instruments as it repeats. The second half of the original recording is played over the music at roughly the half way point of the piece. In the same way that the instruments are introduced they fade slowly (at different speeds) through the second part of the piece leaving the solo violinist to continue their practice alone at the end. Because of the way the process works no two repeats are identical.
"The title is a reference to Gavin Bryars (whom I studied composition with) both in the way that this piece shares a similar process with "Jesus' Blood Never Failed Me Yet" and to an early piece of his called "My First Homage"."
Ponte Raspi, Venice reimagined by Simon Belshaw.
691 episod
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