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Revisionist History is Malcolm Gladwell's journey through the overlooked and the misunderstood. Every episode re-examines something from the past—an event, a person, an idea, even a song—and asks whether we got it right the first time. From Pushkin Industries. Because sometimes the past deserves a second chance. To get early access to ad-free episodes and extra content, subscribe to Pushkin+ in Apple Podcasts are pushkin.fm/pus. iHeartMedia is the exclusive podcast partner of Pushkin Industries.
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James Blake
Manage episode 374902279 series 1755539
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Since his major-label debut in 2011, James Blake's haunting vocals and brilliantly edited, collage-style tracks have helped usher in a new sound in popular music. James has both produced and contributed vocals to a ton of artists including Travis Scott, Jay-Z, and Spanish megastar, Rosalia. He even earned a Grammy for best rap performance alongside Kendrick Lamar, Jay Rock and Future on the song “King’s Dead” from the Black Panther soundtrack.
This month James is releasing his sixth solo album, which is a nod to his electronic music roots. It’s called Playing Robots Into Heaven—a title inspired by the modular synth James built for the album that creates sounds meant to evoke a spiritual experience conjured by machines. It’s a heady concept that translates into some of the most heartfelt and energized tracks James has made to date.
On today’s episode, Leah Rose talks to James Blake about how he and his longtime collaborator Dom Maker constructed key tracks on the new album. James also recalls how a conversation with Rick Rubin changed his life. And he reveals how he spent months making new music with Andre 3000 only to learn on this podcast that it may never be released.
You can hear a playlist of some of our favorite James Blake songs HERE.
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