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FROM THE VAULT: WKRP creator Hugh Wilson
Manage episode 431274268 series 3404219
Hugh Wilson talked his way into a job at MTM Enterprises at just the right time. When he arrived in the early '70s, they were busy making sitcom history with The Mary Tyler Moore Show and The Bob Newhart Show. Wilson, who had no prior TV experience, could often be found up in the rafters, taking a crash course in Funny 101.
The result was his first series as a creator and executive producer, WKRP in Cincinnati (1978-82).
In this "From the Vault" conversation from 2014, Wilson -- who passed away in 2018 at 74 -- talks about what it was like to strike gold with just the right cast at just the right time -- even if his rock 'n' roll radio station sitcom was never a big hit in the States.
Among the surprising things he reveals:
"When the show first went on, it was struggling in the ratings in the U.S. But the ratings in Canada were great right from the beginning," says Wilson, who used the Canadian response to successfully argue that the series needed time to find its audience. "I've never understood that but I've always been super grateful for it."
169 episod
Manage episode 431274268 series 3404219
Hugh Wilson talked his way into a job at MTM Enterprises at just the right time. When he arrived in the early '70s, they were busy making sitcom history with The Mary Tyler Moore Show and The Bob Newhart Show. Wilson, who had no prior TV experience, could often be found up in the rafters, taking a crash course in Funny 101.
The result was his first series as a creator and executive producer, WKRP in Cincinnati (1978-82).
In this "From the Vault" conversation from 2014, Wilson -- who passed away in 2018 at 74 -- talks about what it was like to strike gold with just the right cast at just the right time -- even if his rock 'n' roll radio station sitcom was never a big hit in the States.
Among the surprising things he reveals:
"When the show first went on, it was struggling in the ratings in the U.S. But the ratings in Canada were great right from the beginning," says Wilson, who used the Canadian response to successfully argue that the series needed time to find its audience. "I've never understood that but I've always been super grateful for it."
169 episod
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