In this episode, we learn of the compassion of a patron, as depicted in Sangam Literary work, Puranaanooru 385, penned about the local leader Ambar Kizhaan by the poet Kallaadanaar. Set in the category of ‘Paadaan Thinai’ or ‘Praise’, the verse delivers a heartfelt blessing. வெள்ளி தோன்ற, புள்ளுக் குரல் இயம்ப, புலரி விடியல் பகடு பல வாழ்த்தி, தன் கட…

In this episode, we observe the natural wealth of a leader’s region, as portrayed in Sangam Literary work, Puranaanooru 384, penned for the Leader Karumbanoor Kizhaan by the poet Purathinai Nannaakanaar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘Praise’ and depicts the boundless trust in a patron’s generosity. மென்பாலான் உடன் அண…

In this episode, we perceive the trust of a poet in a patron, as portrayed in Sangam Literary work, Puranaanooru 383, penned about the Leader Aviyan by the poet Maarokaththu Nappasalaiyaar. Set in the category of ‘Paadaan Thinai’ or ‘Praise’, the verse reveals the emotions of the poet after receiving the leader’s patronage. ஒண்பொறிச் சேவல் எடுப்ப, …

In this episode, we hear of a king’s fame, as depicted in Sangam Literary work, Puranaanooru 382, penned for the Chozha King Nalankilli by the poet Kovoor Kizhaar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘Praise’ and reveals the respect held for this ruler in the hearts of many. ‘கடல்படை அடல் கொண்டி, மண்டுற்ற மலிர் நோன் தாள், த…

In this episode, we meet with an icon of hospitality, as depicted in Sangam Literary work, Puranaanooru 381, penned for the Leader Karumbanoor Kizhaan by the poet Purathinai Nannaakanaar. Set in the category of ‘Paadaan Thinai’ or ‘Praise’, the verse reveals the promise rendered by this patron to his supplicants. ஊனும் ஊணும் முனையின், இனிது என, பால…

In this episode, we perceive the nuanced portrait of a leader, as depicted in Sangam Literary work, Puranaanooru 380, penned for the local leader Nanjil Valluvan by the poet Karuvoor Kathapillai. Set in the category of ‘Paadaan Thinai’ or ‘Praise’, the verse talks about the personality and generosity of this patron. தென் பவ்வத்து முத்துப் பூண்டு, வ…

In this episode, we perceive the eagerness of a poet in meeting with a patron, as portrayed in Sangam Literary work, Puranaanooru 379, penned for the Leader Oymaan Villiyaathan by the poet Purathinai Nannakanaar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘Praise’ and paints a portrait of a patron’s generosity. யானே பெறுக, அவன் தா…

In this episode, we perceive the ecstatic joy of a poet’s family, as depicted in Sangam Literary work, Puranaanooru 378, penned for the Chozha King Cheruppaazhi Erintha Ilanchetchenni by the poet Oonpothi Pasunkudaiyaar. Set in the category of ‘Paadaan Thinai’ or ‘Praise’, the verse portrays the victory and wealth of this king. தென் பரதவர் மிடல் சா…

In this episode, we listen to the fame and glory of a king, as depicted in Sangam Literary work, Puranaanooru 377, penned for the Chozha King Rasasooyam Vetta Perunar Killi by the poet Ulochanaar. The verse is situated in the category of ‘Paadaan Thinai’ or ‘Praise’ and sketches a poet’s awe in seeing a patron’s kindness. பனி பழுநிய பல் யாமத்துப் ப…

In this episode, we perceive a poet’s contentment, as portrayed in Sangam Literary work, Puranaanooru 376, penned for Leader Oymaan Nalliyakodan by the poet Purathinai Nannaakanaar. Set in the category of ‘Paadaan Thinai’ or ‘Praise’, the verse sketches an unforgettable moment in the life of a poet. விசும்பு நீத்தம் இறந்த ஞாயிற்றுப் பசுங் கதிர் மழு…

In this episode, we hear the lament of a poet, as depicted in Sangam Literary work, Puranaanooru 375, penned for the Velir King Aay Andiran by the poet Uraiyoor Enicheri Mudamosiyaar. Set in the category of 'Paadaan Thinai' or 'Praise', the verse spotlights the generosity of this king in the contrast of a barren background.…

In this episode, we listen to music rendered in a picturesque place, as portrayed in Sangam Literary work, Puranaanooru 374, penned for the Velir King Aay Andiran by the poet Uraiyoor Enicheri Mudamosiyaar. The verse is situated in the category of 'Paadaan Thinai' or 'Praise' and extols the glory of a king.…

In this episode, we perceive the many ways a king has attained victory in a battlefield, as portrayed in Sangam Literary work, Puranaanooru 373, penned for the Chozha King Kulamutrathu Thunjiya Killivalavan by the poet Kovoor Kizhaar. Set in the category of 'Vaagai Thinai' or 'Victory', the verse spotlights a war zone from the perspective of the af…

In this episode, we perceive a battlefield ritual, as depicted in Sangam Literary work, Puranaanooru 372, penned for the Pandya King Thalaiyaalankaanathu Cheruvendra Nedunchezhiyan by the poet Maankudi Kizhaar. The verse is situated in the category of 'Vaagai Thinai' or 'Victory' and reveals a poet's reason for arriving in a battle zone.…

In this episode, we perceive the events of a battlefield, as depicted in Sangam Literary work, Puranaanooru 371, penned for the Pandya King Thalaiyaalankaanathu Cheruvendra Nedunchezhiyan by the poet Kallaadanaar. Set in the category of 'Vaagai Thinai' or 'Victory', the verse presents an impoverished poet's perspective of a king's conquest.…

In this episode, we listen to a supplicant's difficult journey, as depicted in Sangam Literary work, Puranaanooru 370, penned for the Chozha King Cheruppaazhi Erintha Ilanchetchenni by the poet Oonpothi Pasunkudaiyaar. The verse is situated in the category of 'Vaagai Thinai' or 'Victory' and sketches the terrible state of a battlefield.…

In this episode, we observe a perfect instance of projection, as depicted in Sangam Literary work, Puranaanooru 369, penned for the Chera King Kadalottiya Velkelu Kuttuvan by the poet Paranar. Set in the category of 'Vaagai Thinai' or 'Victory', the verse puts forth a specific request to a winning king in the battlefield.…

In this episode, we perceive bloodshed and loss in a battlefield, as depicted in Sangam Literary work, Puranaanooru 368, penned for the Chera king Kudakko Neduncheralathan by the poet Kazhaathalaiyaar. The verse is situated in the category of 'Vaagai Thinai' or 'Victory' and talks about a king's generosity in the midst of great strife.…

In this episode, we listen to a blessing rendered unto three kings, as portrayed in Sangam Literary work, Puranaanooru 367, penned for the Chera king Maavenko, Chozha king Perunarkilli and Pandya king Ukkira Peruvazhuthi by the poet Avvaiyaar. Set in the category of 'Paadaan Thinai' or 'Praise', the verse celebrates the unity of these three kings.…

In this episode, we perceive the certainty of death, as depicted in Sangam Literary work, Puranaanooru 366, penned by the poet Kothamanaar. The verse is situated in the category of 'Kaanji Thinai' or 'Defence' and instructs a leader about the way to be.Oleh Nandini Karky

In this episode, we listen to a unique perspective on impermanence, as portrayed in Sangam Literary work, Puranaanooru 365, penned by the poet Maarkandeyanaar. Set in the category of 'Kaanji Thinai' or 'Defence', the verse subtly instructs a king to follow the right path.Oleh Nandini Karky

In this episode, we perceive the importance accorded to generosity, as depicted in Sangam Literary work, Puranaanooru 364, penned by the poet Kookai Kozhiyaar. The verse is situated in the category of 'Pothuviyal Thinai' or 'Common Themes' and talks about all that a king must do before the end arrives.…

In this episode, we listen to words conveying the absoluteness of death, as depicted in Sangam Literary work, Puranaanooru 363, penned by the poet Aiyaathi Siruventheraiyaar. Set in the category of 'Pothuviyal Thinai' or 'Common Themes', the verse echoes the reality of life.Oleh Nandini Karky

In this episode, we perceive the motivations of warriors, as depicted in Sangam Literary work, Puranaanooru 362, penned by the poet Siruventheraiyaar. The verse is situated in the category of 'Pothuviyal Thinai' or 'Common Themes' and reveals attitudes regarding facing death.Oleh Nandini Karky

In this episode, we listen to words rendered unto Death, as depicted in Sangam Literary work, Puranaanooru 361, penned by the poet Kayamanaar. Set in an unidentified category, the verse talks about the qualities of a leader.Oleh Nandini Karky

In this episode, we perceive a study in contrast, as depicted in Sangam Literary work, Puranaanooru 360, penned for the leader Thanthu Maaran by the poet Sangavarunar. The verse is situated in the category of 'Kaanji Thinai' or 'Defence' and elaborates on the virtues of the great.Oleh Nandini Karky

In this episode, we listen to words of advice being rendered to a leader, as depicted in Sangam Literary work, Puranaanooru 359, penned for the leader Anthuvan Keeran by the poet Kavattanaar. Set in the category of 'Kaanji Thinai' or 'Defence', the verse talks about the powerful presence of death and the path to a lasting life.…

In this episode, we understand the importance accorded to penance, as portrayed in Sangam Literary work, Puranaanooru 358, penned by the poet Vanmikiyaar. The verse is situated in the category of 'Kaanji Thinai' or 'Defence' and talks about the greatness of an ascetic life.Oleh Nandini Karky

In this episode, we perceive the impermanence of wealth and achievement, as depicted in Sangam Literary work, Puranaanooru 357, penned by the poet Piramanaar. Set in the category of 'Kaanji Thinai' or 'Defence', the verse talks about the only thing that will aid someone in their afterlife.Oleh Nandini Karky

In this episode, we encounter a philosophical truth, as portrayed in Sangam Literary work, Puranaanooru 356, penned by the poet Kathaiyankannanaar. The verse is situated in the category of 'Kaanji Thinai' or 'Defence' and vividly describes an ancient cremation site.Oleh Nandini Karky

In this episode, we perceive the state of a town, as depicted in Sangam Literary work, Puranaanooru 355, penned by an anonymous poet. Set in the category of 'Kaanji Thinai' or 'Defence', the verse focuses on the attitude of a girl's family.Oleh Nandini Karky

In this episode, we perceive battle-ready warriors, as portrayed in Sangam Literary work, Puranaanooru 354, penned by the poet Paranar. The verse is situated in the category of 'Kaanji Thinai' or 'Defence' and talks about the conflict between the beauty of a town and that of a maiden.Oleh Nandini Karky

In this episode, we hear about the wealth and strength of a girl's family, as depicted in Sangam Literary work, Puranaanooru 353, penned by the poet Kaaviripoompattinathu Kaarikkannanaar. Set in the category of 'Kaanji Thinai' or 'Defence', the verse sketches the arresting beauty of a maiden.Oleh Nandini Karky

In this episode, we perceive the prosperity of a city, as portrayed in Sangam Literary work, Puranaanooru 352, penned by the poet Paranar. The verse is situated in the category of 'Kaanji Thinai' or 'Defence' and wonders about the precarious situation at hand.Oleh Nandini Karky

In this episode, we perceive a portrait of a fertile town, as depicted in Sangam Literary work, Puranaanooru 351, penned by the poet Madurai Padaimanga Manniyaar. Set in the category of 'Kaanji Thinai' or 'Defence', the verse talks about the sea of troubles arriving at the town's shores.Oleh Nandini Karky

In this episode, we listen to anxious words about an imminent attack, as depicted in Sangam Literary work, Puranaanooru 350, penned by the poet Madurai Melaikkadai Kannampuguthaar Aayathanaar. The verse is situated in the category of 'Kaanji Thinai' or 'Defence' and extols the beauty of a maiden.Oleh Nandini Karky

In this episode, we listen to exchanges between a king and a girl's father, as depicted in Sangam Literary work, Puranaanooru 349, penned by the poet Madurai Maruthan Ilanaakanaar. Set in the category of 'Kaanji Thinai' or 'Defence', the verse speaks about the danger to a town.Oleh Nandini Karky

In this episode, we perceive interesting aspects of an ancient town, as portrayed in Sangam Literary work, Puranaanooru 348, penned by the poet Paranar. The verse is situated in the category of 'Kaanji Thinai' or 'Defence' and regrets the events that have unfolded.Oleh Nandini Karky

In this episode, we meet with a historic personality characterised by a colourful simile, as depicted in Sangam Literary work, Puranaanooru 347, penned by the poet Kabilar. Set in the category of 'Kaanji Thinai' or 'Defence', the verse talks about the state of a town after a refusal.Oleh Nandini Karky

In this episode, we hear predictions about a family and town, as depicted in Sangam Literary work, Puranaanooru 346, penned by the poet Andar Makan Kuruvazhuthiyaar. The verse is situated in the category of 'Kaanji Thinai' or 'Defence' and speaks about the relationship a girl has with her family members.…

In this episode, we observe the harsh outcomes of a refusal, as portrayed in Sangam Literary work, Puranaanooru 345, penned by the poet Andar Nadum Kallinaar. Set in the category of 'Kaanji Thinai' or 'Defence', the verse unravels the attitude of a girl's family when suitors arrive claiming her hand.…

In this episode, we listen to two possible consequences, as depicted in Sangam Literary work, Puranaanooru 344, penned by the poet Andar Nadum Kallinaar. The verse is situated in the category of 'Kaanji Thinai' or 'Defence' and talks about a situation involving a maiden of marriageable age.Oleh Nandini Karky

In this episode, we perceive the riches of an ancient town, as depicted in Sangam Literary work, Puranaanooru 343, penned by the poet Paranar. Set in the category of 'Kaanji Thinai' or 'Defence', the verse laments a war that is about to commence.Oleh Nandini Karky

In this episode, we perceive striking similes and subtle metaphors, as portrayed in Sangam Literary work, Puranaanooru 342, penned by the poet Arisil Kizhaar. The verse is situated in the category of 'Kaanji Thinai' or 'Defence' and talks about the fierceness of a maiden's family.Oleh Nandini Karky

In this episode, we perceive events that have led to an outbreak of war, as depicted in Sangam Literary work, Puranaanooru 341, penned by the poet Paranar. Set in the category of 'Kaanji Thinai' or 'Defence', the verse etches the words and vows expressed before a battle.Oleh Nandini Karky

In this episode, we learn of the deciding authority in a woman's life, as depicted in Sangam Literary work, Puranaanooru 340, penned by the poet Alloor Nanmullaiyaar. The verse is situated in the category of 'Kaanji Thinai' or 'Defence' and portrays the family of a young maiden.Oleh Nandini Karky

In this episode, we perceive a portrait of a maiden, as depicted in Sangam Literary work, Puranaanooru 339, penned by an anonymous poet. Set in the category of 'Kaanji Thinai' or 'Defence', the verse talks about the looming possibility of a war.Oleh Nandini Karky

In this episode, we explore a prosperous town in ancient times, as depicted in Sangam Literary work, Puranaanooru 338, penned by the poet Kundroor Kizhaar Makanaar. The verse is situated in the category of 'Kaanji Thinai' or 'Defence' and reveals the power that a father of a daughter had in the Sangam era.…

In this episode, we meet with a young maiden and her family, as portrayed in Sangam Literary work, Puranaanooru 337, penned by the poet Kabilar. Set in the category of 'Kaanji Thinai' or 'Defence', the verse brings to light a precarious situation involving suitors in marriage.Oleh Nandini Karky

In this episode, we hear a subtle cry against war, as depicted in Sangam Literary work, Puranaanooru 336, penned by the poet Paranar. The verse is situated in the category of 'Kanchi Thinai' or 'Defence' and reveals the events that have led to an outbreak of hostilities.Oleh Nandini Karky