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Screen Test of Time

Suzan Eraslan and David Daw

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The Screen Test of Time is a podcast where Suzan Eraslan and David Daw set out to watch every movie ever nominated for an Academy Award for Best Picture, in order, from the first awards season to eventually the present day. Each week, they watch and review a different movie, and when they've watched everything nominated in a particular year, they tell you whether the Oscar went to the right one!
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Anatomy of a Murder is a courtroom drama that introduces some of the touchstones of the genre, including the the “I’m just a simple country lawyer” trope, with Jimmy Stewart as said lawyer. With a Duke Ellington score and a surprisingly nuanced approach to imperfect victims, a new decade is definitely on the horizon with this flick.…
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If we had a nickel for every time there was a film nominated for Best Picture in 1958 that was based on a play that dealt with the trauma of a man hiding his homosexuality in a post-WWII world, but rewrote the script so the gay character was straight in the film, we’d have 2 nickels. It’s not a lot, but it’s weird that it happened twice.…
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Tennessee Williams hated this adaptation of his play Cat on a Hot Tin Roof so much that he went up to people standing in line for it and said, “This movie will set the industry back 50 years. Go home!” Our episode won’t do that, but we agree with him on the movie. It’s been awhile since we had a flick where the Hays Code made it completely pointles…
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Sidney Poitier makes his Screen Test of Time debut in this message movie, co-starring Tony Curtis, that's actually good. Two escaped chain gang convicts, one Black and one white, have to learn to work together to escape the law. Sounds like a simple, cheesy premise, but a nuanced story and incredible performances make this better than more recent m…
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Split score alert! David and Suzan both hate and love the same things about Gigi, most of which boils down to Maurice Chevalier (the former) and everything else (the latter), but that doesn’t mean they weigh each equally. Ernst Lubitsch may be dead at this point in film history, but his influence is alive and kicking in old Maurice.…
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The final film of 1957, Witness for the Prosecution has it all: Murder! Intrigue! Humor! Marlene Dietrich! So it’s more than appropriate that this episode has it all: The cast of Westworld! The Sonic the Hedgehog, Pikachu, and Spider-Man films of the last few years! A first ever for the Screen Test of Time end of year choice! Enjoy this Thanksgivin…
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Sometimes, our hosts' predictions from the previous week turn out to be wrong. It's rare that it's in this way, though... Sayonara stars Marlon Brando and Miiko Taka in a romantic drama about American soldiers falling in love with Japanese women in post-WWII Japan. Yes, it’s still problematic, but not in the way Suzan and David were anticipating.…
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The winner of the 1957 nominees, The Bridge on the River Kwai stars Alec Guiness, in what David calls “the role he was born to play” (please don’t get mad at us, Star Wars fans…), and William Holden (also arguably in the role he was born to play). It’s long, and ambitious, and cost a lot of money to make, which hasn’t necessarily been the mark of a…
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And we're back after a brief hiatus with the final nominee of 1955, the lesser known (for a reason) Tennessee Williams penned The Rose Tattoo, starring Anna Magnani and Burt Lancaster. Listen, there are more absurd romances out there, but somehow this one manages to be both less believable and less compelling. But in a year of nominees this bad, co…
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Mister Roberts was the last movie William Powell ever did, and he’s great in it. Unfortunately, he’s not in it very much. Henry Fonda, Jimmy Cagney, and Jack Lemmon all co-star in this US Navy dramedy that had three directors before all was said and done, and the way the tone ricochets all over the place like a pinball launched from a shotgun, it s…
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It’s got the most famous kissing scene of all time. It’s got at least 3 different plot lines. It’s got Hawaii, and the bombing of Pearl Harbor. It’s got Deborah Kerr, Montgomery Clift, Donna Read, Burt Lancaster, even Frank Sinatra! Surely the 1953 champion, From Here to Eternity, will easily withstand the screen test of time and hold its Best Pict…
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Despite its reputation as a classic, Shane leaves a lot to be desired as far as our hosts are concerned. Is it because the bad guys fought for the Union? Suzan and David discuss the weird failings of Westerns where the “good” guys fought for the Confederacy, with a detour remembering their confusing experiences learning Civil War history in Georgia…
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Suzan is in heaven this week, because Hollywood has finally figured out how to make a good Western, and even David enjoyed High Noon. Gary Cooper stars as a deputy literally an hour from retirement who is called by a sense of duty to protect the town he’s about to leave, anyway, from a gang he put away before who are headed back to town on the 12:0…
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The film adaptation of Tennessee Williams’s play, A Streetcar Named Desire, is wildly famous for Marlon Brando in a wet t-shirt, but the film is largely the very sad story of a deeply wounded and traumatized woman, played by Vivien Leigh, who only gets further wounded and traumatized during the movie. It’s considered a classic, but is it good enoug…
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A master class in why method acting can actually make a performance less believable, A Place in the Sun is a real downer. Montgomery Clift gets typecast as a slack-jawed jerk who chases after yet another rich woman, but the twist is that, unlike in The Heiress, the woman he doesn't really care about and treats abhorrently isn’t the one he’s trying …
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The final film in the 1950 Best Picture nominees, Born Yesterday start Judy Holliday giving an incredible performance as a ditzy chorus girl whose mobster boyfriend, played by Broderick Crawford, regrets forcing her to get smart. In any other year, Holliday’s performance would have still made this otherwise weirdly paced romantic comedy, with Willi…
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David refers to King Solomon’s Mines as the movie that dares to ask, “What if Trader Horn was in color?” but what it really answers is why the character of Allan Quatermain, who was as popular and well known at the turn of the 20th century as James Bond is today, and played here by Stewart Granger, disappeared entirely from the popular imagination.…
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The Best Picture winner of the 1950 awards, All About Eve is so good that it made David do a complete reevaluation of Bette Davis, his long standing Screen Test of Time nemesis. Suzan isn’t sure that film historians are right about certain readings of this film, but doesn’t really care, because it’s absolutely fabulous. Oh, and Marilyn Monroe is in…
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The original Father of the Bride starring Spencer Tracy and Elizabeth Taylor may suffer a bit in light of the Steve Martin remake... even if it's maybe a better movie. As the first of the 1950 nominees, Father of the Bride has some stiff competition on its heels, and likely won't survive to be the best of the year, but it's still an enjoyable cupca…
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After last week’s episode, Suzan and David find themselves with a sense of déjà vu— another week, another boring war movie. Not even Gregory Peck’s good looks could save Twelve O’Clock High. Also, find out if the Academy chose correctly among the 1949 nominees, or if our hosts think they should have picked something else.…
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An early attempt at the “Band of Brothers” style war movie (and about the 101st airborne, weirdly enough), Battleground is something of an unwieldy mess, with unmemorable characters, no real theme, and generally a step backward in competency compared to even the silent war movies nominated for the very first Oscars. But it does have one good speech…
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