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TANGO is so much more than a musical genre. It's history, passion and feeling. It's integration of culture, distance and generations in one expression, an Argentine sound, that people around the world associate with us and our country. Tango has got its history, secrets, artists. Past, present and future of a cultural expression declared by UNESCO as Non-Material Cultural Heritage of Mankind. Every week we introduce a special program about the most important people in Argentine tango. It's a ...
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Folk Ranch Argentine folklore music mainly refers to the integration of native expressions from different regions of the country accompanied by musical landscapes that arrived from far off territories and the very interesting contribution of regional migrations, from the country to the city, from the provinces to Buenos Aires. This myriad of landscapes, rhythms and textures entailed the occurrence of very interesting experiences of projection and fusion, without losing the local identity. Mo ...
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It is not difficult to understand why the Argentine interpreter Soledad is a true icon of the popular music nor why she casts a spell on young and old people alike. It is not casual either that she is called “the hurricane of Arequito”. The fact that Arequito is her birthplace and that she gives off energy thru her voice sufficiently accounts for h…
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Among the most popular musicians in the country and abroad, we can mention Ariel Ramírez, the author of emblematic songs such as “Alfonsina and the sea” and conceptual Works like the famous “Creole Mass”, one of the most recorded pieces in the history of music at the world level.Oleh RAE Argentina al Mundo
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Homero Manzi, the poet of tango. Homero Nicolás Manzione Prestera, better known as Homero Manzi (November 1, 1907–May 3, 1951) was an Argentine Tango lyricist, author of various famous tangos. He was born on November 1 of 1907 in Añatuya (province of Santiago del Estero), Argentina. Manzi was interested in literature and tango since he was young. A…
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Philosophy in small coins Some years before, in his essay Les Assassins de la Mémoire —an acute study on the neo-nazi revisionism in contemporary Europe—, the French writer Pierre Vidal-Naquet transcribed lyrics of “Cambalache”, the seminal tango by Enrique Santos Discépolo. A far-fetched quotation? Maybe a feature of exotism by an intellectual in …
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Mercedes Sosa (Haydée Mercedes Sosa), (born July 9, 1935, San Miguel de Tucumán, Arg.—died Oct. 4, 2009, Buenos Aires, Arg.), Argentine folk singer who was known as “the voice of the voiceless” for her songs that spoke of the struggle for economic and political justice. She was a leading proponent of the nueva canción movement of the 1960s, which u…
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She was the first singer, direct heiress of the primitive payadores. His is a unique case in the history of the woman in the tango. No one expressed as she, sang with the same cadence and the same I left with the speaker, was the female prototype -irrepetible- of the suburban. He played naturally, as he did, and played the guitar by tone, as Juan d…
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Musician, pianist, composer, author and lawyer, el “Cuchi” was born in Salta on Sep 29, 1917. He made an important contribution to folklore music with zambas, chacareras & other compositions of novel melodies. He was a brilliant pianist but above all, a strict and self-learned composer of solid formation who recreated the musical styles of regional…
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Atahualpa Yupanqui (in quechua "the one who comes from far off lands to say sth”), is the pseudonym used by Héctor Roberto Chavero Aramburo, who was born in Pergamino on Jan 31, 1908 and passed away in Nîmes, France, on May 23, 1992. "Don Ata" was a songwriter, guitar player, poet and writer and an Argentine pride. He is considered the most importa…
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"The search of a national music with popular content has been one of the dearest objectives of the Argentine people. The artists, since the beginning of their own popular expression have tried to incorporate the diversity of gênres and other expressions of their own that matched their sensitivity, with the only objective of interpreting the whole c…
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