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Wesley Fleming: Flameworking the Realism of the Microcosmos

47:31
 
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Manage episode 398882242 series 1135170
Kandungan disediakan oleh Shawn Waggoner. Semua kandungan podcast termasuk episod, grafik dan perihalan podcast dimuat naik dan disediakan terus oleh Shawn Waggoner atau rakan kongsi platform podcast mereka. Jika anda percaya seseorang menggunakan karya berhak cipta anda tanpa kebenaran anda, anda boleh mengikuti proses yang digariskan di sini https://ms.player.fm/legal.

Wesley Fleming brings the fantastic realism of the microcosmos to life in glass. An ambassador for smaller denizens of the earth, his passion for nature sparks awe and curiosity in others. Growing up in the countryside, his favorite pastime was exploring beneath logs and rocks in the woods or reading science fiction and comic books. Hence the natural world and his own imagination became his muse.

Says Fleming: “I hope to rekindle awe and curiosity for nature with my fantastic realism. I’ve focused more than two decades honing my flameworking skills and trying to capture the essence of actual species with intricate detail of tiny stamen or antennae. Today, I conjure plants, animals and mystical beings by merging the fantastical with the real through choice of color palette and referencing familiar archetypes. Regardless of the end result, I love the alchemical potential of sculpting glass – a brittle and cold substance transformed by fire into a pliable and molten material.” In 2001, Fleming began working with glass, learning via apprenticeship under the tutelage of Italian maestros Vittorio Costantini and Lucio Bubacco in Venice, Italy. He subsequently gained valuable experience working for Josh Simpson and the MIT Glass Lab. His work has been included in numerous publications, exhibited around the United States and included in the permanent collections of the Corning Museum of Glass, Kobe Lampwork Museum, Tacoma Museum of Glass and Racine Art Museum.

Recently, Fleming was commissioned by Wes Anderson to make glass flowers, which were animated by a studio in London for his 2023 movie Asteroid City. Along with his wife, Rebecca, the artist demonstrated his techniques at Denizli Glass Bienali in Denizli, Turkey, where she played her composed pieces on the cello while Fleming worked at the torch. In March 2020, his first solo museum exhibit was scheduled to open at Brattleboro Museum and Art Center in Brattleboro, Vermont. Sadly, opening day the museum was cancelled due to the Covid pandemic.

Says Fleming: “Insects have been my main focus for many years, but recently I have been very inspired by the Blaschka Glass Flowers at Harvard and have been working on developing my plants and flowers. This was what was so exciting for me about the Brattleboro exhibit – that I was given trust and free rein to make my new passion and to focus on local wildflowers, which I see on the regular hikes I do around my home.” In 2024, Fleming will co-teach “Bugs, Figures, Plants, & Beyond” with Emilio Santini at Penland School of Crafts, April 28 – May 3. He will also co-teach “Collaborative Soft Glass Sculpture” with Michael Mangiafico at Touchstone Center for Crafts, August 5 -9 .

  continue reading

256 episod

Artwork
iconKongsi
 
Manage episode 398882242 series 1135170
Kandungan disediakan oleh Shawn Waggoner. Semua kandungan podcast termasuk episod, grafik dan perihalan podcast dimuat naik dan disediakan terus oleh Shawn Waggoner atau rakan kongsi platform podcast mereka. Jika anda percaya seseorang menggunakan karya berhak cipta anda tanpa kebenaran anda, anda boleh mengikuti proses yang digariskan di sini https://ms.player.fm/legal.

Wesley Fleming brings the fantastic realism of the microcosmos to life in glass. An ambassador for smaller denizens of the earth, his passion for nature sparks awe and curiosity in others. Growing up in the countryside, his favorite pastime was exploring beneath logs and rocks in the woods or reading science fiction and comic books. Hence the natural world and his own imagination became his muse.

Says Fleming: “I hope to rekindle awe and curiosity for nature with my fantastic realism. I’ve focused more than two decades honing my flameworking skills and trying to capture the essence of actual species with intricate detail of tiny stamen or antennae. Today, I conjure plants, animals and mystical beings by merging the fantastical with the real through choice of color palette and referencing familiar archetypes. Regardless of the end result, I love the alchemical potential of sculpting glass – a brittle and cold substance transformed by fire into a pliable and molten material.” In 2001, Fleming began working with glass, learning via apprenticeship under the tutelage of Italian maestros Vittorio Costantini and Lucio Bubacco in Venice, Italy. He subsequently gained valuable experience working for Josh Simpson and the MIT Glass Lab. His work has been included in numerous publications, exhibited around the United States and included in the permanent collections of the Corning Museum of Glass, Kobe Lampwork Museum, Tacoma Museum of Glass and Racine Art Museum.

Recently, Fleming was commissioned by Wes Anderson to make glass flowers, which were animated by a studio in London for his 2023 movie Asteroid City. Along with his wife, Rebecca, the artist demonstrated his techniques at Denizli Glass Bienali in Denizli, Turkey, where she played her composed pieces on the cello while Fleming worked at the torch. In March 2020, his first solo museum exhibit was scheduled to open at Brattleboro Museum and Art Center in Brattleboro, Vermont. Sadly, opening day the museum was cancelled due to the Covid pandemic.

Says Fleming: “Insects have been my main focus for many years, but recently I have been very inspired by the Blaschka Glass Flowers at Harvard and have been working on developing my plants and flowers. This was what was so exciting for me about the Brattleboro exhibit – that I was given trust and free rein to make my new passion and to focus on local wildflowers, which I see on the regular hikes I do around my home.” In 2024, Fleming will co-teach “Bugs, Figures, Plants, & Beyond” with Emilio Santini at Penland School of Crafts, April 28 – May 3. He will also co-teach “Collaborative Soft Glass Sculpture” with Michael Mangiafico at Touchstone Center for Crafts, August 5 -9 .

  continue reading

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