In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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289 - Emilia Pérez
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Kandungan disediakan oleh Tonebenders Podcast. Semua kandungan podcast termasuk episod, grafik dan perihalan podcast dimuat naik dan disediakan terus oleh Tonebenders Podcast atau rakan kongsi platform podcast mereka. Jika anda percaya seseorang menggunakan karya berhak cipta anda tanpa kebenaran anda, anda boleh mengikuti proses yang digariskan di sini https://ms.player.fm/legal.
Four members of the sound team from director Jacques Audiard's new film, Emilia Pérez, joined me for a talk about how they tried to use the sound design to make a new kind of musical. Cyril Holtz (Sound Supervisor & Re-Recording Mixer), Aymeric Devoldère (Supervising Sound Editor), Hortense Bailly (Supervising Voice Editor) and Carolina Santana (ADR Supervisor) share their workflows on this complicated film. Including dealing with songs featuring pre-recorded vocals, live singing from on set and ADR recorded months later and making it all flow seamlessly. This episode is sponsored by Sound Ideas new Golf Sound Effects library: https://www.sound-ideas.com/Product/2441/Golf-Sound-Effects Show Notes: https://tonebenderspodcast.com/289-emilia-perez/ Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead
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298 episod
MP3•Laman utama episod
Manage episode 454081523 series 62823
Kandungan disediakan oleh Tonebenders Podcast. Semua kandungan podcast termasuk episod, grafik dan perihalan podcast dimuat naik dan disediakan terus oleh Tonebenders Podcast atau rakan kongsi platform podcast mereka. Jika anda percaya seseorang menggunakan karya berhak cipta anda tanpa kebenaran anda, anda boleh mengikuti proses yang digariskan di sini https://ms.player.fm/legal.
Four members of the sound team from director Jacques Audiard's new film, Emilia Pérez, joined me for a talk about how they tried to use the sound design to make a new kind of musical. Cyril Holtz (Sound Supervisor & Re-Recording Mixer), Aymeric Devoldère (Supervising Sound Editor), Hortense Bailly (Supervising Voice Editor) and Carolina Santana (ADR Supervisor) share their workflows on this complicated film. Including dealing with songs featuring pre-recorded vocals, live singing from on set and ADR recorded months later and making it all flow seamlessly. This episode is sponsored by Sound Ideas new Golf Sound Effects library: https://www.sound-ideas.com/Product/2441/Golf-Sound-Effects Show Notes: https://tonebenderspodcast.com/289-emilia-perez/ Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead
…
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