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Kandungan disediakan oleh Raymond and Naxos of America. Semua kandungan podcast termasuk episod, grafik dan perihalan podcast dimuat naik dan disediakan terus oleh Raymond and Naxos of America atau rakan kongsi platform podcast mereka. Jika anda percaya seseorang menggunakan karya berhak cipta anda tanpa kebenaran anda, anda boleh mengikuti proses yang digariskan di sini https://ms.player.fm/legal.
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One genius through the eyes of another, an interview with Marin Alsop

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Manage episode 364314083 series 2425178
Kandungan disediakan oleh Raymond and Naxos of America. Semua kandungan podcast termasuk episod, grafik dan perihalan podcast dimuat naik dan disediakan terus oleh Raymond and Naxos of America atau rakan kongsi platform podcast mereka. Jika anda percaya seseorang menggunakan karya berhak cipta anda tanpa kebenaran anda, anda boleh mengikuti proses yang digariskan di sini https://ms.player.fm/legal.

Conductor and Naxos artist Marin Alsop discusses Robert Schumann’s four symphonies in the wake of her recordings of the works as reorchestrated by Mahler (8.574429 and 8.574430). Following observations about instrumental developments of the time, Mahler’s myriad tweaks to the score, and the somewhat bipolar flavour of the music (with counterpoint always at hand as a periodic stabiliser), she moves on to a detailed appreciation of each symphony, demonstrating Schumann’s distinctive contribution to the development of the genre “with one foot in the past, and one in the future.”

  continue reading

146 episod

Artwork
iconKongsi
 
Manage episode 364314083 series 2425178
Kandungan disediakan oleh Raymond and Naxos of America. Semua kandungan podcast termasuk episod, grafik dan perihalan podcast dimuat naik dan disediakan terus oleh Raymond and Naxos of America atau rakan kongsi platform podcast mereka. Jika anda percaya seseorang menggunakan karya berhak cipta anda tanpa kebenaran anda, anda boleh mengikuti proses yang digariskan di sini https://ms.player.fm/legal.

Conductor and Naxos artist Marin Alsop discusses Robert Schumann’s four symphonies in the wake of her recordings of the works as reorchestrated by Mahler (8.574429 and 8.574430). Following observations about instrumental developments of the time, Mahler’s myriad tweaks to the score, and the somewhat bipolar flavour of the music (with counterpoint always at hand as a periodic stabiliser), she moves on to a detailed appreciation of each symphony, demonstrating Schumann’s distinctive contribution to the development of the genre “with one foot in the past, and one in the future.”

  continue reading

146 episod

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