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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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220. Zelda's Triumph, Warhol's Copyright Woe, and Peacock's NFL Play
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Paul and Mesh start off this week celebrating the success of Zelda: Tears of The Kingdom which sold 10M copies in just 3 days and pondering whether Link can make a Super-Mario like jump to the big screen. Paul provides an update on Tiger Woods’ recent legal victory which requires his ex to arbitrate her claims. Then Mesh discusses his most-anticipated films premiering at Cannes. Paul then shifts to the recent Supreme Court decision in the Warhol v. Goldsmith case and its implications on fair use and art. They conclude the episode with Peacock’s strategic moves: embracing the NFL and cutting-edge ad-tech.
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